Blues / Jazz

Lou Laurence at Quai des Brumes

by Rédaction PAN M 360

Don’t come to her shows to mosh; come to make out, to laugh, to write a letter, to hear a story, and to leave with a story to tell. Come to have a time.

Don’t come to her shows to mosh; come to make out, to laugh, to write a letter, to hear a story, and to leave with a story to tell. Come to have a time.

Lou is tall, but her voice is taller. Her vocal style has been described as a blend of Amy Winehouse, Janis Joplin, and more recently, Billie Holiday.

Lou Laurence’s style is jazzy blues-pop. Her songs combine simple blues-style dialogue with humor, love, and a deep, sweet, soul.

Her big vocal sound is accompanied by rhythmic home-modified baritone ukuleles (acoustic and electric).

Lou has played everywhere from large festivals to Montreal metro stations; dirty pubs to classy corporate gigs. Her performances combine storytelling with her songs rooted in raw emotion, witty lyrics, and catchy melodies.

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Original content from Lou Laurence and Quai des Brumes, adapted by PAN M 360.

Alt Folk / Prog Rock / Rock

Sylvie + Après l’asphalte at Coup de cœur francophone

by Rédaction PAN M 360

These two sturdy bands will make their music resonate up to the high ceiling of the Quai des brumes on Thursday, November 11. Expert creators of quirky neo-prog Sylvie and garage-folk practitioners Après l’asphalte will take turns performing on the stage of the legendary Saint-Denis Street venue.

Garage Rock / Psych-Rock / Rock

I.D.A.L.G. • Dunes • Oodooo

by Louise Jaunet

Post Dynastie, the last album from I.D.A.L.G. (Il Danse Avec Les Genoux), released on Teenage Menopause Records (Le Prince Harry, Essaie Pas, Chocolat), dates back to 2015. The band recounts in French the myth of the Aztec deity Quetzalcoatl, incarnated as a feathered serpent, and creates a beautiful nine-track ode against a background of psychedelic garage rock. The duet of Jean-Michel Coutu and Yuki Berthiaume on vocals is somewhat reminiscent of the Limiñanas, influenced by the yé-yé and garage rock of the 1960s. On stage, the sextet turn a show into a hypnotic and compelling underground psychedelic rite.

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Philippe Mius D’Entremont

by Patrick Baillargeon
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