MTELUS

heavy metal

Arch Enemy at MTELUS

by Rédaction PAN M 360

Time passes, the world changes, but some things remain constant and unassailable. Heavy metal has endured for more than four decades because its spirit is eternal, and few bands embody the intensity, integrity and lofty artistic ambitions of the genre with more dazzling aplomb than Arch Enemy. Formed in Sweden in the mid-90s by former Carcass/Carnage guitarist Michael Amott, this most explosive and proficient of modern metal bands have spent the last 20 years propagating an unerring creed of technical excellence, songwriting genius and thunderous, irresistible live performance, accruing a huge global fan base along the way.

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Original content from MTELUS and Arch Enemy, adapted by PAN M 360.

Alternative Rock

Sullivan King au MTELUS

by Rédaction PAN M 360

Sullivan King est un rebelle discret qui défend une cause importante : ce multi-instrumentiste/producteur et dieu de la guitare, basé à Los Angeles, s’est donné pour mission de casser le moule et de perturber le monde électronique – un coup de guitare à la fois. S’inspirant de l’énergie brute de la bass music des pistes de danse et de la puissance du métal et du hard rock des stades, Sullivan King crée un mosh pit musical entièrement construit sur un dubstep au rythme effréné, des guitares déchiquetées et un spectacle live audacieux qui repousse les limites de la performance musicale moderne.

Sullivan King is the under-the-radar rebel with a mighty cause: The Los Angeles-based multi-instrumentalist/producer and solidified guitar god is setting out to shatter the mold and to disrupt the electronic world-one lick at a time. Lifting the brash and rugged energy of bass music off the dance floors and the power of metal and hard rock from the stadiums, Sullivan King creates a musical mosh pit built entirely on rapid-paced, neck-snapping dubstep, intensely shredding guitars and a bold live show that pushes the boundaries of modern music performance.

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Ce contenu provient du MTELUS et d’Insomniac et est adapté par PAN M 360.

Rock

Kaleo au MTELUS

by Rédaction PAN M 360

En tant que puissance créative derrière Kaleo, l’une des plus grande réussite musicale de l’Islande, JJ Julius regarde généralement vers l’avenir : vers la prochaine session d’enregistrement, le prochain concert, la prochaine source d’inspiration. Lorsqu’on lui demande de regarder en arrière, il est ému par le succès obtenu et l’épopée du voyage qu’il a déjà accompli.

As the driving creative force behind Kaleo, one of Iceland’s most successful musical exports, JJ Julius generally looks forward : to the next recording session, the next gig, the next source of inspiration. So, when asked to look back, he is truly moved by how successful and epic the journey has already been.

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Ce contenu provient du MTELUS et de Kaleo et est adapté par PAN M 360.

Pop

Charlotte Cardin au MTELUS

by Rédaction PAN M 360

Chaque jour offre une opportunité de construire, de grandir et d’évoluer. Charlotte Cardin maximise cette opportunité en tant que chanteuse et auteure-compositrice.

Guidée par son instinct et dotée d’une voix sismique, l’artiste montréalaise écrit sans filtre des hymnes personnels sur la vie et l’amour. Plutôt que d’éviter les spécificités, elle met en lumière chaque petit détail, se donnant ainsi les moyens d’agir. Avec plus de 160 millions d’écoutes en continu et des acclamations de Harper’s Bazaar, The Fader, Flaunt, Nylon, Paper, W magazine, Interview, Pigeons & Planes, et plus encore, elle s’envole dans les flammes avec son premier album, Phoenix, en 2021, qui s’est maintenu au premier rang du palmarès billboard des albums canadiens pendant plusieurs semaines.

L’album a consolidé sa réputation, et Hypebae a noté que « dans une mer d’auteurs-compositeurs émergents, très peu ont une voix aussi captivante et des mélodies aussi hypnotiques que Charlotte Cardin ».

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Ce contenu provient de The Cult Nation et du MTELUS et est adapté par PAN M 360.

Hip Hop / rap

Aminé au MTELUS

by Rédaction PAN M 360

Originaire de Portland, dans l’Oregon, Adam Aminé Daniel rappe au secondaire, mais ne s’y met sérieusement qu’après avoir obtenu son diplôme. Il lui a fallu un certain temps pour trouver sa voix, comme on peut l’entendre sur Odyssey to Me, sorti en 2014, que l’artiste a rapidement mis derrière lui. Calling Brio, radicalement amélioré, a suivi un an plus tard, avec des contributions de Kaytranada, Tek.Lun et Pasqué, ainsi que des productions trap et tribales d’Aminé.

A native of Portland, Oregon, Adam Aminé Daniel rapped in high school but didn’t take it seriously until after he graduated. It took him a while to find his voice, as heard on Odyssey to Me, a 2014 release the artist quickly put behind him. The radically improved Calling Brio followed a year later, boasting input from the likes of Kaytranada, Tek.Lun, and fellow Pacific Northwesterner Pasqué, as well as askew trap and tribal productions of Aminé’s making.

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Ce contenu provient d’All Music et du MTELUS et est adapté par PAN M 360.

Prog Rock

Transatlantic au MTELUS

by Rédaction PAN M 360

Transatlantic est un supergroupe de prog rock composé du batteur Mike Portnoy (Dream Theater), du claviériste/guitariste Neal Morse (ex-Spock’s Beard), du guitariste Roine Stolt (Flower Kings) et du bassiste Pete Trewavas (Marillion). Ils partagent le rôle de chanteur. La musique du groupe marie le vintage et le néo-prog à la fusion, au métal progressif et au hard rock dans des constructions longues qui se prolongent souvent pendant plus de dix minutes.

Transatlantic is an intermittent, international prog rock supergroup comprised of drummer Mike Portnoy (Dream Theater), keyboardist/guitarist Neal Morse (ex-Spock’s Beard), guitarist Roine Stolt (Flower Kings), and bassist Pete Trewavas (Marillion). They share lead vocals. The band’s music weds vintage and neo-prog to fusion, progressive metal, and hard rock in long, knotty, suite-like constructions that more often than not last for over ten minutes. 

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Ce contenu provient de All Music et du MTELUS et est adapté par PAN M 360.

Contemporary / Electroacoustic / Electronic / Experimental / Contemporary / IDM

(Cancelled) Caribou • Kaitlyn Aurelia Smith

by Alain Brunet

Without a doubt one of the most enticing programs to be presented at MTelus in this first quarter of 2020: the brilliant composer and producer Kaitlyn Aurelia Smith opens the new show by Daniel Snaith, aka Caribou. The latter will notably trot out material from Suddenly, his fifth album under the pseudonym, officially launched on February 28. Formerly an electro artist associated with the IDM movement, this Canadian transplant to London, who also holds a doctorate in mathematics, has gradually included singing and instruments in real time, to create multi-genre, auteur pop and electro. A new show by Caribou, a beyond-brilliant artist, is indeed a pretty big deal.

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Dubstep / EDM

(POSTPONED) Subtronics • He$H • Al Ross b2b Bommer • Chee b2b Digital Ethos • Level Up

by Michel Rondeau
Electronic / Techno

(POSTPONED) Amelie Lens • Farrago • Milo Spykers • Atroxx

by Elsa Fortant

Does the Amelie Lens phenomenon still need any introduction? Known for stringing together the bangers, the Belgian has swept through the techno scene like a hurricane. After signing with Second State, the label of the German techno duo Pan-Pot, in 2016, she played at the biggest festivals in Europe (Dour, Awakenings) and clubs around the world, and launched her own label, Lenske. Following a successful run at Piknic Électronik (2018), then at Stereo (2019), she moves to MTelus with her  acolytes Farrago and Milo Spykers, also from Belgium, supported by local techno veteran Atroxx (formerly known as Gino G). An ideal evening for anyone who wants a taste of techno with a formula close to a concert.

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Electronic / House

Tchami

by Patrick Baillargeon

Pioneer of the future house movement, known notably for his work with Lady Gaga, Janet Jackson, and the DJs Snake, Mercer, and Malaa – with whom he forms the collective Pardon My French – the founder of the label Confession heats up the MTelus with his panoply of warm and sensual sounds. The Miami-based Parisian DJ and producer, whose real name is Martin Bresso, has made house his domain, flirting with practically every variation of the genre. Always dressed in his emblematic priest’s vestment during his sets, this apostle of the bass invites you to a groovy, not very Catholic mass.

Ben Böhmer

However, if Tchami is too much this or not enough that for you, you can always opt for Ben Böhmer’s ethereal house at Théâtre Fairmount on the same evening – one wonders why the two weren’t programmed in the same place… Recently active on the world house scene, Ben Böhmer has in just a few years become an unavoidable reference point for deep and progressive house with about ten EPs already to his credit. The prolific German DJ and producer, endorsed by Anjunadeep and Keller Records, is also the boss of the Ton Topferei label. If you can’t choose between Böhmer and Tchami, you still have some time to develop the gift of ubiquity.

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Hard Rock / Progressive Metal / Rock

(CANCELLED) Opeth • Graveyard

by Christine Fortier

Photo credit: Jonas Åkerlund

Proof of the Swedish band’s success with Montreal audiences, the MTelus concert has been sold out since January 17. The tour, led by singer, guitarist and composer Mikael Åkerfeldt, follows the release of the album In Cauda Venenum last September. In an interview with Hop ‘N’ Music, an Italian publication dedicated to music and beer, keyboardist Joakim Svalberg mentions, among other things, that Opeth members didn’t know that Åkerfeldt had started composing their 13th album until he had finished. Since their debut in 1989, the progressive death metal band, which has steered into prog-rock metal since Heritage (2011), has been delivering its lyrics in English. On In Cauda Venenum, Åkerfeldt decided to write and sing in his native language. The musicians have also recorded an English version, but they consider the Swedish to be the original version. (Christine Fortier)

R&B / Soul / Soul/R&B

Soul Secret Agency

by Alain Brunet

Soul Secret Agency takes an in-depth look at classic soul/R&B, totally dominated by Motown and Stax Records during the ’60s. The Montreal collective draws on retro soul to tinker with songs “about love, desire and self-discovery”, according to the band’s Bandcamp profile for their eponymous album released in May 2019. Produced by Danny Trudeau, this opus was recorded by Howard Bilerman at the famous Hotel 2 Tango studio. Soul Secret Agency is made up of director, composer, arranger and bassist Danny Trudeau and singer Abigail Galwey, joined by guitarists Eric Lemelin and Francis Veillette, keyboardist Willis Pride, drummer Pascal Lepage and percussionist Elli Miller Maboungou. Of note, singer Dominique Fils-Aimé is featured on this recording… Will she be appearing on stage for this show under the Soul Secret Agency banner?  

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