Casa del Popolo

Hip Hop / rap

Suoni Per Il Popolo : Uyarakq and Charlotte Carleton at Casa Del Popolo

by Rédaction PAN M 360

Uyarakq, originaire de Nuuk, au Groenland, est une force contemporaine majeure de la scène hip-hop et rap Autochtone circumpolaire. Avec son groupe Silla and Rise, Charlotte Carleton a ouvert le concept de la musique inuite en plaçant le chant guttural dans un contexte contemporain. Ensemble, à Suoni, ces deux artistes présenteront un spectacle immersif et collaboratif. Ce spectacle a lieu en même temps que l’exposition ‘ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards Home’ du CCA, une exposition dirigée par des Autochtones qui explore comment les Inuits, les Samis et d’autres communautés de l’Arctique créent des espaces autonomes. L’artiste et conservatrice montréalaise Asinnajaq, alias Isabella Weetaluktuk, a organisé une programmation additionnelle pour la soirée.

Uyarakq, hailing from Nuuk, Greenland, is a major contemporary force within the Indigenous circumpolar hip-hop and rap scene. With her group Silla and Rise, Charlotte Carleton has been expanding the concept of Inuit music, putting throat singing in a contemporary context. Together at Suoni, these two will present an immersive, collaborative set. This show is happening in conjunction with the CCA’s ‘ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards Home’, an Indigenous-led exhibit exploring how Inuit, Sámi, and other communities across the Arctic are creating self-determined spaces. Montreal-based artist and curator Asinnajaq aka Isabella Weetaluktuk curated addtional programming for the evening.

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Ce contenu provient de Suoni Per Il Popolo et est adapté par PAN M 360.

Free Jazz

Suoni Per Il Popolo présente JOYFULTALK

by Rédaction PAN M 360

Après deux albums de transe, JOYFULTALK revient sur Constellation Records avec une collection étonnante de brûlures jazz. Combinant des influences telles que la musique M-base de la fin des années 80 et les années funk harmolodique d’Ornette Coleman, ce trio de Nouvelle-Écosse déforme les attentes en fusionnant des jams de samplers retournés et des combos live.

Following two laser-focused trance-inducing albums, JOYFULTALK returns to Constellation Records with a stunning collection of smudged jazz burners. Combining influences including late 80s M-base music and Ornette Coleman’s harmolodic funk years, this Nova Scotian trio warps expectations by fusing together flipped sampler jamz and live-combo heat.

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Ce contenu provient de Suoni Per Il Popolo et est adapté par PAN M 360.

Hardcore / Punk

Suoni Per Il Popolo présente S.H.I.T, Home Front et Total Nada

by Rédaction PAN M 360

Le festival Suoni Per Il Popolo est présenté par la Société des Arts Libres et Actuels (SALA), une organisation à but non-lucratif enregistrée en 2002. De ses racines ancrées dans diverses formes musicales exploratoires, la SALA s’engage à mettre de l’avant la musique d’avant-garde expérimentale dans un contexte communautaire!

100% mordant. Les légendes du hardcore de Toronto, S.H.I.T., reviennent avec une tonne de fureur. Home Front apporte son énergie glaciale et anthemique des confins des prairies. Le groupe local Total Nada sort un EP éponyme explosif, co-édité par Discos Enfermos de Barcelone et Sin Temores Discos du New Jersey.

The Suoni Per Il Popolo is presented by the Société des Arts Libres et Actuels (SALA), a Montreal based non-profit organization which was incorporated in 2002. Rooted in exploratory musical forms, the SALA is committed to presenting avant garde and experimental music and sound within a community context. 

100% gnar right here. Unhinged TO hardcore legends S.H.I.T. return with a trunkload of pain and fury. Home Front brings its frosty, anthemic energy from the edges of the prairies. Local four-piece Total Nada birth a scorching self-titled EP, co-released by Barcelona’s Discos Enfermos and New Jersey’s Sin Temores Discos.

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Ce contenu provient de Suoni Per Il Popolo et est adapté par PAN M 360.

Ambient / Drone / Electronic / Experimental / Contemporary

Filles-Troniques

by Louis Paulhus

On the occasion of International Women’s Day, Filles-Troniques and  Suoni Per Il Popolo present an audiovisual show featuring women and non-binary people from Montreal. Claude Périard, Moshi Moshi, Le Désert mauve, Stéphanie Castonguay/Florence Garneau/Gabrielle HB/Charline Dally, Émilie Mouchous, and Léa Boudreau will take over the Casa del Popolo stage for an evening of sonic experimentation touching on different spheres of electronic music. They will be accompanied by the visuals of Justine Durand, Charline Dally and Kim Maurice. An event that promises to be as captivating as it is diverse!

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Ambient / Experimental / Contemporary / Post-Minimalist

(Cancelled) Raphael Weinroth-Browne

by Michel Rondeau

He’s a member of the Kamancello duo with Shahriyar Jamshid, a player of the Kurdish kamancheh (a bowed string instrument with a timre similar to a violin’s), and has participated in more than a hundred recordings, many of them for film and television. He’s performed at several festivals, played with Pauline Oliveros and Dutch cellist Ernst Reijseger, recorded and toured with the Norwegian progressive rock/metal band Leprous… but had no solo album to his credit. Tonight’s concert is just the occasion for its release. The music is intimate, even enveloping, with rich ambiences that unfold in space like the northern lights we sometimes see undulating in the summer sky.

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New Wave / Pop / Post-Punk / Rock

The Foreign Resort • La Mécanique • Morte Psíquica

by Geneviève Gendreau

The Danish trio will once again hit the road for a short North American tour, which they will begin at home, between two European tours. This time, they are performing at the Velouria Festival II, organized by the Montreal label Velouria Recordz. While they claim a clear affiliation with The Cure, especially in the rich, dark voice of Mikkel Borbjerg Jakobsen, the band has a clean, refined sound with an energetic melancholy. They’ll present his latest album, Outnumbered, released in April 2019 on Artoffact Records.

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Indie Pop / Pop / Rock / Singer-Songwriter

Simon Kearney

by Alain Brunet

In early 2019, Simon Kearney released the songs of Open House, which he affectionately refers to as “pop ’n’ roll“. Let’s be a little more specific and call his songs indie pop mixed with rock, blues, funk, groove and hip hop. Kearney’s lyrics are mostly autobiographical, often self-deprecating or downright absurd. Zero headache, pop entertainment with a rock attitude, a certain lucidity… and that’s all for now.

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