Before packing his suit away for good, “the holy man on the FM radio”, as Joni Mitchell called him, left us a dark and poignant album with lyrics of a merciless lucidity, which the addition of Hebrew choirs conducted by Montreal cantor Gideon Y. Zelermyer afford an even deeper resonance. The title song, with its complex allusions, the levels of meaning to its chorus (ah! that distressing “we kill the flame”) and its brilliant bass pattern, is perhaps his apex, in a body of work which does not lack for peaks of excellence. It shines, and will shine forever, like a black diamond.
Latest 360 Content
Interview Classical/classique
Esteban la Rotta: Back to the Ancient Origins of the Lute
By Frédéric Cardin
Interview Jazz
We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.
By Frédéric Cardin
Interview Classical/classique
Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor
By Frédéric Cardin
Concert review Classical/classique/danse
Stephanie Lake Company: Symbiosis of Strike and Movement
By Frédéric Cardin
Concert review Western European/latino/Pop/Rock
Maruja Limón, Weapon of Mass Construction!
By Alain Brunet
Concert review Jazz
Hilario Durán and The UdeM Big Band: Caliente at Claude-Champagne Hall!
By Michel Labrecque
Interview Reggae
David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single
By Sandra Gasana
Album review Classical/classique 2026
Esteban La Rotta – Orbus Ille Germanus : L’art du luth allemand au XVe siècle
By Frédéric Cardin
Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026
Colin Stetson – Something Very Bad Is Going to Happen
By Frédéric Cardin
Album review Classical/classique 2026
Ksenija Sidorova – Prophecy : Tüür, Kõrvits, Vasks
By Frédéric Cardin
Album review Dark Trance/Psytrance/Electronic 2026






















