Hands-down winner of the Thelonious Monk International Jazz Competition in 2010, this young proponent of operatic singing left the Conservatory Darius Milhaud in Aix-en-Provence to come back to the United States. Purists and the public alike welcomed her with open arms, and of the readers and critics of the renowned jazz magazine Downbeat immediately voted her the new queen. Nominated but defeated at the Grammy Awards, Woman Child was her first recording for an American label. But the francophone artist got her revenge by winning the famous prize three times in a row for her three following albums, for which she also took charge of the artistic direction with humour and taste.
Latest 360 Content
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse
Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone
By Frédéric Cardin
