Hands-down winner of the Thelonious Monk International Jazz Competition in 2010, this young proponent of operatic singing left the Conservatory Darius Milhaud in Aix-en-Provence to come back to the United States. Purists and the public alike welcomed her with open arms, and of the readers and critics of the renowned jazz magazine Downbeat immediately voted her the new queen. Nominated but defeated at the Grammy Awards, Woman Child was her first recording for an American label. But the francophone artist got her revenge by winning the famous prize three times in a row for her three following albums, for which she also took charge of the artistic direction with humour and taste.
Latest 360 Content
Interview Classical/classique
Esteban la Rotta: Back to the Ancient Origins of the Lute
By Frédéric Cardin
Interview Jazz
We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.
By Frédéric Cardin
Interview Classical/classique
Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor
By Frédéric Cardin
Concert review Classical/classique/danse
Stephanie Lake Company: Symbiosis of Strike and Movement
By Frédéric Cardin
Concert review Western European/latino/Pop/Rock
Maruja Limón, Weapon of Mass Construction!
By Alain Brunet
Concert review Jazz
Hilario Durán and The UdeM Big Band: Caliente at Claude-Champagne Hall!
By Michel Labrecque
Interview Reggae
David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single
By Sandra Gasana
Album review Classical/classique 2026
Esteban La Rotta – Orbus Ille Germanus : L’art du luth allemand au XVe siècle
By Frédéric Cardin
Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026
Colin Stetson – Something Very Bad Is Going to Happen
By Frédéric Cardin
Album review Classical/classique 2026
Ksenija Sidorova – Prophecy : Tüür, Kõrvits, Vasks
By Frédéric Cardin
Album review Dark Trance/Psytrance/Electronic 2026






















