Country : United States Label : Interscope / Music Soup Genres and styles : Shoegaze Year : 2024

Wisp – Pandora

· by Lyle Hendriks

Since her debut single “Your Face” just over a year ago, Natalie R. Lu, better known as Wisp, has skyrocketed into shoegaze stardom thanks largely to the novel phenomenon of TikTok. Inspired by the likes of Whirr and Cocteau Twins, the San Francisco native enjoyed virtually overnight success with “Your Face,” leading many screen-scrolling early adopters to wonder what she had to offer beyond the initial 30-second snippet. With Wisp’s debut EP Pandora, we’re beginning to see just what this young artist has in mind. Clocking in at just 23 minutes (and with two tracks being released beforehand), Pandora is a short but overwhelming ride, leaving me and nearly 2 million monthly listeners waiting for more. 

Cohesion on Pandora goes beyond the flow of the tracklist—every instrument feels like it’s been melted down, allowed to congeal, and then condensed into an impenetrable fog of face-melting yet sleepy guitar, explosive drums tactfully positioned at the back of the mix, and Lu’s breathy, intimate, Vallium vocals.

The self-proclaimed “Whirr whore for life” doesn’t hide her inspirations, but instead allows them to sit firmly at the foundation of each track. Whether it’s angsty yearnings of unrequited need (“Enough for you”) or the desperate yet hopeful reminiscings of an intimate morning with someone you don’t know like you used to (“Luna”) every song on Pandora feels like an entry in a stolen diary—a furtive and final peek into a swirling pit of love, rage, and chaos, evoking the age-old tale of the EP’s namesake.


Critics might spear Pandora as retreading too much ground, as too derivative from the shoegaze legends it so proudly tributes. But to me, this EP (and the success of Wisp in general) goes further than evaluating one single song or project. It’s a sign of a shift, of shoegaze and its emotional, sometimes hopeless themes growing as a wider trend in today’s listening culture. What that means for the kids listening is up to them, but one thing is for certain—this isn’t the last we will hear of Wisp.

Latest 360 Content

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers