One of this Vancouver band’s strengths is its ability to deliver metal that breathes enthusiasm. We can feel the pleasure the musicians have in playing all seven songs on this second album, which will not disappoint fans of The Passenger (2017). Neck Of The Woods is part of the progressive death-metal movement, but like Between the Buried and Me, Converge, and Protest the Hero – their most obvious influences on The Annex of Ire – several styles spill over into the margins. One thinks of the heavy metal that can be heard in the fluid solos of “Strange Consolation” and “The Tower”, the hardcore in the breakdowns and Jeff Radomsky’s vocals on “Crosshairs Will Shift”, the introspective side of the title track enhanced by an acoustic guitar melody, and the death-metal that makes “Ambivalence” stand out. The influences that melt into the structure of the songs contribute to the album’s dynamism, which deserves our attention from beginning to end.
Latest 360 Content
Concert review Rock/Folk/Americana
FIJM 2026 I The Barr Brothers say ‘thank you’ to Montreal
By Stephan Boissonneault
Interview classique/Jazz/Musiques du Monde
Summer 2026 at Cammac: Stéphane Tétreault, Schubert, jazz, brunch, and hypnosis on the program
By Frédéric Cardin
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse























