Musicologist, pianist and organist by training, Montrealer Kara-Lis Coverdale (originally from Hamilton) has haunted Estonian churches with her playing, mastering their sacred repertoire reflected in the hypnotic niche she has created. There, she excels as a composer and producer. Worth noting are her recurring collaborations with the ace Tim Hecker. Created in collaboration with American artist LXV, Sirens was concocted using motifs created on keyboards and more abstract synthetic sounds. Since then, her art has continued to improve, with Coverdale striving to exploit the dichotomy between her classical knowledge and explorations of the digital universe, in other words, “combining extreme natural beauty and extreme confusion, total softness and total noise.”
Latest 360 Content
Interview Contemporary/Classical/classique
FLUX | Wadada Leo Smith, One of Creative Music’s Most Prolific
By Alain Brunet
Interview Africa/Traditional/Mandingo Blues
Dankoroba, Djely Tapa’s Tribute to the Influential Women of the Manding Empire
By Keithy Antoine
Interview expérimental / contemporain
Center PHI | Exhibition Clusters, Clusters of Meaningful Objects
By Salima Bouaraour
Concert review Classical/classique/latino
OSM | Four Seasons, Two Eras, Vivaldi and Piazzolla
By Alexis Desrosiers-Michaud
Concert review Folk/Americana/Pop/latino/musique traditionnelle mexicaine
POP Montréal | Beautiful Trafic on the Road to Lhasa
By Michel Labrecque
Concert review Americana/chanson keb franco/prog/psychédélique
POP Montreal | On Third Try, Larynx Emerges For Good
By Alain Brunet
Concert review Electronic/Hip Hop
POP Montréal | First of many Bastid BBQs in Montreal ?
By Eric Cohen
Concert review Rock/Electronic/punk hardcore
POP Montréal | Alix Fernz’s Cutting Edge
By Alain Brunet
Concert review Americana/Jazz/Reggae/Rock
POP Montréal | Yves Jarvis, The Power Trio Chapter
By Alain Brunet
Concert review Folk/Americana/alt-latino/Electronic/latino