Multi-instrumentalists, songwriters, lyricists, and singers Chelsea Wolfe and Jess Gowrie toiled from 2006 to 2008 as part of the black-metal band Red Host, making a name for themselves on the local Sacramento scene where they lived at the time. A decade later, they began working together again when they toured to champion the material for Wolfe’s 2017 album Hiss Spun. Wolfe’s exceptional vision is well known, with a unique approach that brings together metal, dark ambient, and folk. Less well known is Jess Gowrie’s, visceral, raw, fearsome, and efficient. Their reunion excludes the folk and ambient dimensions of the singer, this proposal being essentially rock, barely punctuated by a few small synthetic ornaments. Thus, two one-woman-bands make a masterful noise, giving free rein to a liberating savagery expressed by their heavy rhythms, bursts of distortion, incendiary melodies, and howls to the moon. Wolfe sings and plays the guitar, Gowrie hammers the drums, grinds the guitar, plucks the bass, and extracts sounds from her software. They also plan to invite other women musicians to join the Mrs. Piss project, whose preliminary form could evolve considerably over the course of the coming chapters.
Latest 360 Content
Concert review Hip Hop
Palomosa 2026: Xaviersobased Makes No Sense and That’s the Point
By Loic Minty
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Classical/classique/Jazz
FIMAV 2026 | Darius Jones Fluxkit Vancouver: Complete Bliss
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert
By Michel Rondeau
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Concert review Electronic/DJ set/Pop












![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)










