Country : Argentina Label : Genres and styles : Contemporary Jazz / Folk / période romantique / rap / Reggaeton / Rock Year : 2022

Pedro Aznar –  El Mundo No Se Hizo En Dos Dias

· by Michel Labrecque

Pedro Aznar’s career covers almost the entire history of Argentine ¨nacional¨ rock. Bassist of the popular progressive rock band Seru Giran in the 70s, then accompanist of Charly Garcia on the album “Clics Modernos” in 1982, one of the best records of music in Spanish according to Rolling Stone. Until “El Mundo No Se Hizo En Dos Dias” (The World Was Not Made in Two Days), released in late December 2022.

There have been a total of thirty albums under his name. And Pedro Aznar also played 3 years with the Pat Metheny Group, in the 80s, at the time of the album “First Circle”, among others.

Pedro Aznar is a multi-instrumentalist bassist with a wide range of influences from jazz, folk and traditional Latin American music.

“El Mundo No Se Hizo En Dos Dias” was largely made during the pandemic. “This is my most personal album in many years,” says Pedro Aznar, 63. On this double album of 19 songs, you hear a lot of things: rap, a Chopin-like “Polonaise”, reggaeton, jazzy horns and, of course, folk and rock.

But all this in the Aznar way, a sort of Spanish-speaking Daniel Bélanger. Eclectic, curious, exploratory. With that high voice that is always right; it’s not for nothing that Metheny hired him. This new opus is a very good Argentinean vintage. A great musical Malbec!

For those of you who understand Spanish, you will discover a young man in his sixties who is very involved in current social debates: Corpoland attacks the domination of big business over governments and puts democracies at risk; “Salve” (Save) talks about a threatened planet; “1918 Revisitado” (1918 Revisited) evokes the Spanish flu pandemic more than a century ago. But there is also “Pilgrimaje” (Pilgrimage), an a cappella song in English, reminiscent of British folklore, a Spanish version of John Legend’s “All of You”, with acoustic guitars rather than piano. Aznar, who studied at Boston’s Berklee College of Music, loves to do counterpoint Spanish versions of English songs.

Eclectic, I tell you. But it all holds together anyway. Remarkably so.

¨Why should I listen to rock music in a language I don’t understand?¨ some friends sometimes ask me. ¨Do you really listen to Beck or U2 for the lyrics?¨ is always my answer. One always listens first and foremost for the originality of the music and the arrangements. And “El Mundo No Se Hizo En Dos Dias” holds up perfectly in that regard.

I have been to Argentina several times and I assure you: this country is a hundred times more rock than tango. A culture that is too little known in our country.

Latest 360 Content

La grande accélération at The Oratory

La grande accélération at The Oratory

Semaine du Neuf | Chants Libres : Laboratoire Lyrik 03, “La voix lumineuse”

Semaine du Neuf | Chants Libres : Laboratoire Lyrik 03, “La voix lumineuse”

Once Upon a Time… 100 Women | Diane Tell’s Playlist

Once Upon a Time… 100 Women | Diane Tell’s Playlist

Violons du Roy and La Chapelle de Québec | An Evening of Discovery in The Footsteps of Bach’s Early Cantatas

Violons du Roy and La Chapelle de Québec | An Evening of Discovery in The Footsteps of Bach’s Early Cantatas

Regularfantasy, Activism and Creativity in the Women’s Electronic MTL Scene

Regularfantasy, Activism and Creativity in the Women’s Electronic MTL Scene

International Women’s Rights Day in the Electronic Music World, a Montreal Case

International Women’s Rights Day in the Electronic Music World, a Montreal Case

Dicko Fils – La route

Dicko Fils – La route

Semaine du Neuf | Nanatasis: Three Abenaki Legends, Puppets, and an Opera

Semaine du Neuf | Nanatasis: Three Abenaki Legends, Puppets, and an Opera

Semaine du Neuf | Quasar: A Lithuanian/Ukrainian Program and… Everything That Scares Me

Semaine du Neuf | Quasar: A Lithuanian/Ukrainian Program and… Everything That Scares Me

PHI Center | La mort du troisième couplet, Sensei H’s Redemption

PHI Center | La mort du troisième couplet, Sensei H’s Redemption

Semaine du Neuf: ALL about the program

Semaine du Neuf: ALL about the program

Closing night of M/NM: an acousmatic haven in the frantic Nuit Blanche

Closing night of M/NM: an acousmatic haven in the frantic Nuit Blanche

Quatuor Nelligan – Rupture

Quatuor Nelligan – Rupture

Ensemble Obiora: Sisterhood in music

Ensemble Obiora: Sisterhood in music

M/NM | La Grande Accélération, Ambitious and Maximalist

M/NM | La Grande Accélération, Ambitious and Maximalist

M/NM | University Climax at the Maison symphonique

M/NM | University Climax at the Maison symphonique

The OBIORA Ensemble in March: Women, Diversity… SORORITY

The OBIORA Ensemble in March: Women, Diversity… SORORITY

Nik Bärtsch’s Ronin and the ideal fusion between futuristic jazz and post-minimalism

Nik Bärtsch’s Ronin and the ideal fusion between futuristic jazz and post-minimalism

Ensemble ArtChoral, Matthias Maute : Art Choral vol. 2 : Baroque I

Ensemble ArtChoral, Matthias Maute : Art Choral vol. 2 : Baroque I

Violons du Roy, Celebrating Friendship at The Crossroads of Baroque and Classical Music

Violons du Roy, Celebrating Friendship at The Crossroads of Baroque and Classical Music

Black History Month | Cape Verde Honoured at Théâtre Maisonneuve

Black History Month | Cape Verde Honoured at Théâtre Maisonneuve

24H VINYLE with Music Is My Sanctuary, 1st Marathon of Its Kind, Back at SAT

24H VINYLE with Music Is My Sanctuary, 1st Marathon of Its Kind, Back at SAT

Marie Davidson is among the clowns—sinister or delightful

Marie Davidson is among the clowns—sinister or delightful

Logo – Glass

Logo – Glass

Subscribe to our newsletter