Over the past decade, Camille Dalmais has been constantly strengthening her status as an innovative artist. This continued in 2017 with Ouï, a bilingual opus. Her most recent choral experiments have drawn from electro and contemporary music from Europe and America, but also from a wide array of very old songs. Concerned about preserving the heritage of the past, this singer, songwriter and composer remains forward-looking and pursues an increasingly significant path.
Latest 360 Content
Interview latino/Cumbia
Mundial Montréal | Empanadas Ilegales: Cumbia Is Everywhere, also in Vancouver !
By Alain Brunet
Interview Musiques du Monde
Mundial Montréal | Eli Levinson Presents The ENTIRE Program!
By Alain Brunet
Album review Jazz/indie 2024
Peggy Lee & Cole Schmidt – Forever Stories of: Moving Parties
By Frédéric Cardin
Album review Classical/classique 2024
Steven Osborne/London Philharmonic Orchestra, dir.: Edward Gardner – Tippett : Concerto pour piano; Symphonie no 2
By Frédéric Cardin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain/Modern music
The inner cinema of composer and sound artist Roxanne Turcotte
By Frédéric Cardin
Interview classique
Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps
By Alexandre Villemaire
Interview Jazz/Hip Hop
Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback
By Alain Brunet
Interview Classical/classique
Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini
By Alexandre Villemaire
Interview Africa/Hip Hop/Electronic/konpa/Soul/R&B
Coup de cœur francophone | Sarahmée Ascends The Throne
By Martial Jean-Baptiste
Concert review classique/Classical
OSM | Alpine Symphony: When Woods Become Sherpas
By Alexis Desrosiers-Michaud
Interview classique/Classical