Adamus is arguably the most authentic chronicler of Quebec’s rural urbanity, delivering his words in a gargle with a river’s inexorable flow, over music encompassing everything between Louisiana and the Gaspé Peninsula. In “Le scotch goûte le vent”, Adamus evokes “a dreamer turned golem” — a discreet allusion to his Polish origins? In Chelm, there lived a rabbi who fashioned and then killed a golem. Adamus, on the other hand, brings his songs to life here in North America.
Latest 360 Content
Album review Hip Hop 2025
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
By Stephan Boissonneault
Album review Classical/classique 2025
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
By Réjean Beaucage
Album review musique de film 2025
Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Diotima – Boulez : Livre pour quatuor
By Frédéric Cardin
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025
stef.in – Icterus II
By Frédéric Cardin
Album review Classical/classique 2025
Jack Van Zandt – A Chaos of Light and Motion
By Frédéric Cardin
Album review Electronic/Pop/dream pop 2025
Tommy Crane – Reality Curated: Live at Ursa
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso
By Frédéric Cardin
Album review Classical/classique 2025
Vancouver Contemporary Orchestra; Vancouver Chamber Choir – Christopher Tyler Nickel : Mass; Te Deum
By Frédéric Cardin
Album review Classical/classique 2025
Marc-André Hamelin; Quatuor Takacs – Dvořák & Price : Piano Quintets
By Frédéric Cardin
Concert review Classical/classique