With Mr Experience, Donny Benét offers us an excursion into the meanders of Italo-disco, a strain of dance music born in the 1970s in Europe, respectful of tradition and under the influence of a paternal heritage, Antonio Giacomelli Benét having distinguished himself as an accordionist in Italy in the 1970s. The cover speaks for itself – the Australian artist reappropriates the visual codes in line with the aesthetics of the time: moustache trimmed to the millimeter, exposed body hair, long locks. Think open shirt and shiny gold chain, minus the shirt. The title track opens the album, unveiling a crooner’s voice with lightness, without ever falling into suave cliché. Musically, post-disco lovers will be well served: snappy, funky bass lines (“Negroni Summer”), synthesizers that are alternately catchy (“Second Dinner”) and expressive (“Take a Trip”), four-to-the-floor percussion (“Moving Up”). Vocals and instrumental passages intertwine sensually, never one over the other. “Reach Out” sounds much more pop (without knowing why, I hear Jeanne Mas in the intro). Love relationships are at the heart of the lyrics, as “You Don’t Need Love” and the ballad “Girl of My Dreams” affirm. The composer is a fan of Michael McDonald, and you can hear it. The album, which rightly embraces kitsch, confirms that Donny Bénet is playing in the big league. Released on the 100% Australian label Dot Dash, this successful effort is perfect accompaniment for the forthcoming long summer evenings, against a backdrop of sunset, in the dampness of dusk.
Latest 360 Content
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse























