With Mr Experience, Donny Benét offers us an excursion into the meanders of Italo-disco, a strain of dance music born in the 1970s in Europe, respectful of tradition and under the influence of a paternal heritage, Antonio Giacomelli Benét having distinguished himself as an accordionist in Italy in the 1970s. The cover speaks for itself – the Australian artist reappropriates the visual codes in line with the aesthetics of the time: moustache trimmed to the millimeter, exposed body hair, long locks. Think open shirt and shiny gold chain, minus the shirt. The title track opens the album, unveiling a crooner’s voice with lightness, without ever falling into suave cliché. Musically, post-disco lovers will be well served: snappy, funky bass lines (“Negroni Summer”), synthesizers that are alternately catchy (“Second Dinner”) and expressive (“Take a Trip”), four-to-the-floor percussion (“Moving Up”). Vocals and instrumental passages intertwine sensually, never one over the other. “Reach Out” sounds much more pop (without knowing why, I hear Jeanne Mas in the intro). Love relationships are at the heart of the lyrics, as “You Don’t Need Love” and the ballad “Girl of My Dreams” affirm. The composer is a fan of Michael McDonald, and you can hear it. The album, which rightly embraces kitsch, confirms that Donny Bénet is playing in the big league. Released on the 100% Australian label Dot Dash, this successful effort is perfect accompaniment for the forthcoming long summer evenings, against a backdrop of sunset, in the dampness of dusk.
Latest 360 Content
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Interview Classical/classique/Romantic
Domaine Forget 2026 | Mathieu Lussier and the discovery of French music
By Pietro Freiburger
Album review Classical/classique 2026
WDR Sinfonieorchester Köln, Joseph Bastian – Mel Bonis : Orchestral Works
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2026























