With Mr Experience, Donny Benét offers us an excursion into the meanders of Italo-disco, a strain of dance music born in the 1970s in Europe, respectful of tradition and under the influence of a paternal heritage, Antonio Giacomelli Benét having distinguished himself as an accordionist in Italy in the 1970s. The cover speaks for itself – the Australian artist reappropriates the visual codes in line with the aesthetics of the time: moustache trimmed to the millimeter, exposed body hair, long locks. Think open shirt and shiny gold chain, minus the shirt. The title track opens the album, unveiling a crooner’s voice with lightness, without ever falling into suave cliché. Musically, post-disco lovers will be well served: snappy, funky bass lines (“Negroni Summer”), synthesizers that are alternately catchy (“Second Dinner”) and expressive (“Take a Trip”), four-to-the-floor percussion (“Moving Up”). Vocals and instrumental passages intertwine sensually, never one over the other. “Reach Out” sounds much more pop (without knowing why, I hear Jeanne Mas in the intro). Love relationships are at the heart of the lyrics, as “You Don’t Need Love” and the ballad “Girl of My Dreams” affirm. The composer is a fan of Michael McDonald, and you can hear it. The album, which rightly embraces kitsch, confirms that Donny Bénet is playing in the big league. Released on the 100% Australian label Dot Dash, this successful effort is perfect accompaniment for the forthcoming long summer evenings, against a backdrop of sunset, in the dampness of dusk.
Latest 360 Content
Album review classique/musique de film 2026
Orchestre FILMharmonique/Francis Choinière – A Tribute to John Williams
By Frédéric Cardin
Interview Brazilian
Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present
By Frédéric Cardin
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters
By Juliana Cortes
Album review Experimental / Contemporary/expérimental / contemporain/Rock/Punk 2026
Boar God – Hunting Season
By Stephan Boissonneault
Concert review Classical/classique
Salle Bourgie | Catalyst: a quartet at the peak of its art
By Frédéric Cardin
Album review Americana/Électro 2026
Harry Bartlett & Kurtis Perrie – This is Living
By Frédéric Cardin
Interview Africa/classique/Traditional/Moyen-Orient / Levant / Maghreb
Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka
By Sandra Gasana
Interview Classical/classique
Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music
By Frédéric Cardin
Album review Americana/Ambient Folk/Folk/Progressive Folk 2026
BRIAR & Daniel Romano – Aeterna Memoria
By Stephan Boissonneault
Album review Americana/classic rock/country-rock/Folk/free-rock 2026
Bob Dylan – The Rolling Thunder Revue: The 1976 Live Recordings
By Stephan Boissonneault
Interview Classical/classique
FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today
By Frédéric Cardin
Album review Folk/Americana/Electronic/Classical/classique 2026
Jason Dungan (aka Blue Lake) & Johan Caroe – Routine
By Frédéric Cardin
Interview Jazz
Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry
By Frédéric Cardin
Interview Classical/classique
Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”
By Frédéric Cardin
Concert review classique/Jazz/Classical
Salle Bourgie | The Enchanting Vibrations of the Masmoudi Quartet
By Frédéric Cardin
Interview Moyen-Orient / Levant / Maghreb/classique/Arabic























