Commissioned by the Museum of Contemporary Art Chicago, where it was recorded live, to mark the 50th anniversary of the AACM (Association for the Advancement of Creative Musicians), this Afro-futurist fable evokes a dystopian society on the brink of chaos in 2099. That’s the setting, what we’re interested in is the musical framework that gives it life. And what music! Take Mitchell’s flute, put it in large a pot with violin, cello, banjo, oud, shamisen, shakuachi, electric guitar and bass, theremin and percussion, add a pinch of electronic effects and some spoken-word poetry, and simmer while stirring. You’ll get a consistent and wonderfully kaleidoscopic stew. Be careful not to burn yourself!
Latest 360 Content
Album review classique/Musiques du Monde 2024
Amir Amiri Ensemble – Ajdad Ancestors : Echoes of Persia
By Frédéric Cardin
Concert review Classical/classique
FLUX | Architek Percussion: Great music, cursed technology!
By Frédéric Cardin
Interview Classical/classique
Arion Orchestre Baroque and SMAM Perform Music From England’s Royal Fastes
By Alain Brunet
Concert review Electronic/expérimental / contemporain
FLUX | Phew, Masterful Performance
By Alain Brunet
Interview classique/Classical
Louise Bessette in New England… with Ives and MacDowell
By Marianne Collette
Album review Classical/classique 2024
London Symphony Orchestra – Elijah
By Alexis Desrosiers-Michaud
Concert review Rock/Soul/R&B
Yard Act is a needed jolt of energy at 100% endurance
By Stephan Boissonneault
What to watch expérimental / contemporain/Rock/Experimental / Contemporary
Yoo Doo Right – Eager Glacier
By Stephan Boissonneault
Album review alt-rock/Chanson francophone/Americana 2024
David Bujold – Le sol ou le ciel
By Michel Labrecque
Concert review Classical/classique
Jordi Savall | Tears flow, fire consumes, souls are fed
By Martial Jean-Baptiste
Concert review expérimental / contemporain
FLUX | A brief and polite conversation between Wadada and Sylvie Courvoisier
By Alain Brunet
Concert review expérimental / contemporain