How To Write One Song is an educational manual, written by Jeff Tweedy, on the life-saving power of creativity and the need to make it work every day. Tweedy is one of those artists who preaches persistent work, no matter what inspiration is available. It should be understood here that this intangible phenomenon manifests itself more at work than at rest. The release of his songwriting book coincides with the release of a solo album of 11 songs, Love Is The King, entirely devoted to what unites humans. The durability of love, beneficial and consoling warmth between beings, the happy family cocoon, elevation of spirits through benevolence, but also self-doubt and other romantic mirages pulverized by sarcasm. Inevitably, Wilco’s gifted frontman, excellent lyricist, inspired melodist,a musician inclined to Americana but open to so many hybridizations, can teach us a lot in this respect. And this is what he does once again by suggesting new examples in times of pandemic and family confinement. In this context imposed by global public-health conditions, his two sons (also musicians) helped him in the studio to complete this simple and agreeable effort, almost naive, almost candid, comfort food cooked exclusively with the constitutive ingredients of American song: country, folk, and rock.
Latest 360 Content
Album review Chanson francophone/Americana/Folk 2026
Geneviève Bilodeau – Rendre Grâce
By Frédéric Cardin
Concert review Classical/classique/Electronic/expérimental / contemporain
UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard
By Jeremy Fortin
Concert review Classical/classique/Electronic
UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown
By Jeremy Fortin
Concert review musique du monde
Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or
By Frédéric Cardin
Interview
Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers
By Alain Brunet
Album review Rock/Pop/Progressive Folk 2026
My New Band Believe – My New Band Believe
By Stephan Boissonneault
Interview Experimental/expérimental / contemporain
Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026
A Place To Bury Strangers – Rare and Deadly
By Stephan Boissonneault
Interview Hip Hop/Musiques du Monde
Finale Sylis d’or 2026: we present to you Zalam Kao
By Frédéric Cardin
Interview Brazilian
Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco
By Frédéric Cardin
Interview Moyen-Orient / Levant / Maghreb/classique
Lamia Yared: Between the Minho, Euphrates, eras and traditions
By Frédéric Cardin
Interview Eastern European/Electronic/Jazz/Hip Hop/latino/Traditional























