“Make sure that guitar is good and loud, don’t be scared.” Oh Sees founder John Dwyer opens this live album with a warning. Known for their explosive concerts, the cult Californian psych-garage band offers a live album that lives up to its reputation. The best songs from their vast repertoire keep us on the edge of our seats thanks to Dwyer’s exhilarating, saturated guitar, accompanied by two fierce drummers and a bass player. It’s an excellent album that perfectly captures the power of a band that has made the walls of more than one venue shake.
Latest 360 Content
Interview Jazz
Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin
By Frédéric Cardin
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Album review Classical/classique/latino 2026
Juan Sebastian Delgado – Tangos imaginarios
By Frédéric Cardin
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin