“Make sure that guitar is good and loud, don’t be scared.” Oh Sees founder John Dwyer opens this live album with a warning. Known for their explosive concerts, the cult Californian psych-garage band offers a live album that lives up to its reputation. The best songs from their vast repertoire keep us on the edge of our seats thanks to Dwyer’s exhilarating, saturated guitar, accompanied by two fierce drummers and a bass player. It’s an excellent album that perfectly captures the power of a band that has made the walls of more than one venue shake.
Latest 360 Content
Album review Chanson francophone/chanson keb franco/Pop/Rock 2025
Major.Moran – Bunker à ciel ouvert
By Michel Labrecque
Album review Classical/classique/période moderne 2025
Ensemble ArtChoral, Matthias Maute : Art Choral vol. 6 : Moderne
By Alexis Desrosiers-Michaud
Interview classique/Classical
The 24 Voices of MIMC: A Preview of The 2025 Edition With Artistic Director Shira Gilbert
By Alexandre Villemaire
Interview Americana/indie/Pop/Piano/roots/Singer-Songwriter
Rose Cousins’ communion with nature, the piano, and love
By Stephan Boissonneault
Interview Classical/classique/période moderne
Matthias Maute and Choral Art: From Baroque to Modern, ArtChoral’s Latest Releases as Seen by Its Artistic Director
By Frédéric Cardin
Interview Rock/Jazz/expérimental / contemporain
Frank Zappa’s Roxy & Elsewhere + Apostrophe = Rox(Postroph)y played by Dweezil’s Band
By Réjean Beaucage
Album review Blues/Americana/Rock/rock n’ roll 2025
Othello Tunnels – Tunnel Rock EP
By Stephan Boissonneault
Album review Folk/Americana/Pop/dream pop/Experimental / Contemporary/expérimental / contemporain 2025
Jonathan Personne – Nouveau Monde
By Stephan Boissonneault
Interview Contemporary/Classical/classique
OSM | Genesis in Yoruba, Philip Glass and Angélique Kidjo style
By Alain Brunet
