One of the most persistent myths about the viola is that its repertoire is limited. Over the past 20 years, no less than 30 viola concertos have been composed! Among them are Viola Concerto by Germany’s Jörg Widmann, written for Antoine Tamestit, his frequent collaborator from France. The composer and player have worked closely together here, you can hear it, even feel it. It’s obvious that this recording cannot faithfully recreate all the details of the score (movement, spatialization of the musicians and other gestures performed by the soloist), but we can feel its energy, excitement and transcendence of the medium.
Latest 360 Content
Interview Americana/Indigenous peoples/Hip Hop
Présence autochtone | Leonard Sumner, another perspective for songwriting
By Juliana Cortes
Interview central asia/Musiques du Monde
Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal
By Frédéric Cardin
Concert review Pop/Indigenous peoples/Indigenous Soul Music
Présence Autochtone I Anyma Ora Captivates Place Des Festivals
By Michel Labrecque
Album review Classical/classique 2026
Alain Trudel; Orchestre symphonique de Trois-Rivières; Élisabeth Pion; Valérie Milot – Ravel
By Frédéric Cardin
Interview Hip Hop/Maori Traditional Music/rap
Présence Autochtone I Rei Speaks About His ‘Haka’ Rap
By Michel Labrecque
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique