One of the most persistent myths about the viola is that its repertoire is limited. Over the past 20 years, no less than 30 viola concertos have been composed! Among them are Viola Concerto by Germany’s Jörg Widmann, written for Antoine Tamestit, his frequent collaborator from France. The composer and player have worked closely together here, you can hear it, even feel it. It’s obvious that this recording cannot faithfully recreate all the details of the score (movement, spatialization of the musicians and other gestures performed by the soloist), but we can feel its energy, excitement and transcendence of the medium.
Latest 360 Content
Interview Classical/classique
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
By Frédéric Cardin
Album review Electronic/Hip Hop/hyperpop 2024
Single of the Day: Kaya Hoax ft. Magi Merlin “Hot Girls with ADD”
By Stephan Boissonneault
Album review Americana/Pop
Taylor Swift – The Tortured Poet Department: The Anthology
By Alain Brunet
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz