One of the most persistent myths about the viola is that its repertoire is limited. Over the past 20 years, no less than 30 viola concertos have been composed! Among them are Viola Concerto by Germany’s Jörg Widmann, written for Antoine Tamestit, his frequent collaborator from France. The composer and player have worked closely together here, you can hear it, even feel it. It’s obvious that this recording cannot faithfully recreate all the details of the score (movement, spatialization of the musicians and other gestures performed by the soloist), but we can feel its energy, excitement and transcendence of the medium.
Latest 360 Content
Interview Electronic
Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad
By Sandra Gasana
Interview classique/période moderne/Classical
Pro Musica / Mélodînes | Piano four hands delight with La Fiammata
By Alain Brunet
Album review Chanson francophone/Americana/Folk 2026
Geneviève Bilodeau – Rendre Grâce
By Frédéric Cardin
Concert review Classical/classique/Electronic/expérimental / contemporain
UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard
By Jeremy Fortin
Concert review Classical/classique/Electronic
UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown
By Jeremy Fortin
Concert review musique du monde
Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or
By Frédéric Cardin
Interview
Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers
By Alain Brunet
Album review Rock/Pop/Progressive Folk 2026
My New Band Believe – My New Band Believe
By Stephan Boissonneault
Interview Experimental/expérimental / contemporain























