One of the most persistent myths about the viola is that its repertoire is limited. Over the past 20 years, no less than 30 viola concertos have been composed! Among them are Viola Concerto by Germany’s Jörg Widmann, written for Antoine Tamestit, his frequent collaborator from France. The composer and player have worked closely together here, you can hear it, even feel it. It’s obvious that this recording cannot faithfully recreate all the details of the score (movement, spatialization of the musicians and other gestures performed by the soloist), but we can feel its energy, excitement and transcendence of the medium.
Latest 360 Content
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa
VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi
By Frédéric Cardin
Interview Jazz
Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL
By Michel Rondeau
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview classique
Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026






















