Four years after his last album, Archie Fairhurst is back with Home, a third for the Ninja Tune label. This release marks a new chapter in the life of Fairhust who, since the release of Love Songs: Part Two in 2016, has left London for the countryside and started a family. While he moves away from the themes of love and romance and explores instead spirituality, identity, and belonging (as the bio says), Romare’s signature sound and texture, which fit together so well on his two previous albums, remain intact. For this new effort, Fairhurst has moved away from sampling to a variety of instruments and tools such as a vintage organ, his father’s old 12-string guitar, his childhood drums and a tape recorder that allowed him to create samples from cassettes. That said, despite this different approach, it’s roughly the same universe here, but the whole is arranged in a more fluid and coherent way. Romare kicks off dynamically with the first four tracks, then slows down the tempo and gets slightly lost in the middle, before coming back to the warm house grooves on the extensive “Heaven” and concluding with the charming “Home”, a smooth and sensual finale that concludes this excellent album superbly.
=Latest 360 Content
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! Michel Langevin Explains
By Alain Brunet
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! The Maestra Explains
By Alain Brunet
Dossier
Little-known Affinities Between Metal and Classical / Claiming a Heritage, Cousins in The Epic (1)
By Laurent Bellemare
Album review classique/Traditional 2025
Liu Fang/Orchestre FILMharmonique/Francis Choinière – Christian Thomas : Concerto for pipa and orchestra ‘’Dragon’’
By Frédéric Cardin
Album review expérimental / contemporain/Jazz 2025
Dan Pitt Quintet – Horizontal Depths
By Frédéric Cardin
Album review Classical/classique/latino 2025
Denis Plante / Stéphane Tétreault – Stradivatango
By Frédéric Cardin
Interview expérimental / contemporain/Gamelan/Métal/Musique de création
Montréal / New Music: Delta (s), Immersive of a Third Kind!
By Alain Brunet
Interview expérimental / contemporain/Musique de création
Montreal / New music: The Sound of Ink… And 3 Flutes
By Alain Brunet
Concert review classique/Classical
OSM | Between Icelandic Basses and Bruch’s “Unforgettable” Concerto
By Judith Hamel
Album review Classical/classique 2024
Orchestre du Centre national des Arts/Orchestre symphonique de Québec/Choeur Mendelssohn/Jean-Sébastien Vallée, dir. – Jacques Hétu : Symphonie no 5 op.81
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Alexandre David – Photogrammes
By Frédéric Cardin
Album review Classical/classique 2024
Matthieu Lussier/Amanda Keesmaat/Christophe Gauthier – Un basson sous l’Empire : la musique d’Étienne Ozi
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Musique de création
Le Vivier / Cordâme & Sixtrum Under Sylvia Plath’s Influence
By Alain Brunet
Concert review Electronic
Igloofest 2nd Night: Wild Card with Apashe, Marie Davidson, Dileta
By Loic Minty
Interview expérimental / contemporain/Musique de création