Edmonton’s Dylan Khotin-Foote is one of those young Canadian composers/producers of the next generation of electronic music who have already captivated the international community, in his case with the release of the album Beautiful You in 2018. Its sequel is of course highly anticipated. Finds You Well follows in the footsteps of the previous record, and is intended to be a placid oasis in the anxious environment of the pandemic. Khotin has reworked a dozen already conclusive models, giving them more than acceptable qualities. The album was conceived in two parts. The first is based on slow or medium rhythms of downtempo, breakbeat, dub and bass music extraction. Subtly conducted, these grooves are in no way aggressive, weaving very nice backdrops for domestic life in the red zone, at the centre of our existence until further notice. The second is part of an ambient perspective, covered with rich synthetic waves on which float short melodic motifs. The composer inlays several elements to create subtle contrasts with the gentle curves of the narrative weave; crackle, recordings of familiar voices, soft interferences, etc. This is a beautiful tapestry for the ear, silky and reassuring for anyone who knows anything about the styles involved, not to be confused with the great electronic art.
Latest 360 Content
Concert review Electronic/Moyen-Orient / Levant / Maghreb
MUTEK 2026 | A masked duo on the Esplanade Tranquille, well, well…
By Julius Cesaratto
Interview Electronic/Rock/microtonal/Moyen-Orient / Levant / Maghreb
MUTEK 2026 | Istanbul Ghetto Club, A Sense of Déjè Vu… and of Never Having Heard It Before
By Julius Cesaratto
Concert review Rock/Punk
Vans Warped Tour Montreal: Simple Plan is Pretty Damn Close to Perfect
By Charly Blais
Interview latino/Electronic/Jazz
MUTEK 2026 | The Super Vibrant World of Chiquita Magic, from Louis Cole Big Band to Hardware Techno
By Alain Brunet
Album review Classical/classique/expérimental / contemporain 2026
Carrie Frey – Lesser Arcana
By Frédéric Cardin
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock























