Little Simz has grown up. The lyrics have always been hers and this latest EP was entirely recorded in her living room in confinement, her work from A to Z, right up to the electric-blue cover. This colour characterizes the atmosphere, starting with “Might Bang, Might Not” with its sense of urgency, its bass line and ringing alarm, and its lyrics like, “I am a one-woman army, I am the force that we speak of”, or rumours of war against “fuckboys”. Then the tone softens and the bass line becomes more bossa, without the singer losing her lyrical and verbal vigour. “Young blood, old soul”, as she says on “You Should Call Mum”, sums up the personality of Little Simz, whose real name is Simbi Ajikawo, although after five years it’s no longer so necessary to introduce her. We can only look forward to the next album, given the quality of her flow, the gravity of her voice (intact since her debut) and in addition, the production of Kal Banx, also seen alongside Sir and J. Cole. To be noted is guest singer Alewya and her beautiful vocal arabesques. Little Simz is further beautiful living proof of what youth is capable of, and shows how a singer full of ambition can become a powerful woman.
Latest 360 Content
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Ensemble Caprice at the 9th: Dialogue with Carnatic India
By Frédéric Cardin
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean























