Aloïse Sauvage? Is that her real name? Failing to recognize it, your faithful correspondent did a web search. Then, seeing her face, a flash: déjà vu, but where? Then, watching the video for the tune “Présentement”, bang! She charms your socks off!
It’s easy to see that we’re dealing with a complete and original artist. With a simple, suspended microphone and a minimalist decor, she moves in space with a certain superb quality. The 27-year-old Frenchwoman is a multidisciplinary artist who divides her life between cinema, contemporary circus, dance and music. No wonder she was nominated in the “Révélation scène” category at the 2020 edition of the Victoires de la musique in France, where she delivered a solid performance mixing circus and singing.
Re-flash: but yes, it was her in 120 Beats per Minute (2017), the punchy film about Act-Up activists.
A rap fan, the savage girl did some slam, and this is evident in her writing, where here rhymes clatter like balls on a pool table. If the subject matter leans toward the concerns and hopes of the twenty-something, this sister in spirit to Eddy de Pretto also seduces with her affected vulnerability, punctuated by irreverent stunts.
When asked to describe herself in three words, the electro-pop-hip-hop singer replies: “emotional, urban and French”.
And we can’t wait to see and hear her on stage.
By the way, Sauvage is her real name. We’re not even surprised.
We love it!
Latest 360 Content
Concert review Rock/Soul/R&B
Yard Act is a needed jolt of energy at 100% endurance
By Stephan Boissonneault
What to watch expérimental / contemporain/Rock/Experimental / Contemporary
Yoo Doo Right – Eager Glacier
By Stephan Boissonneault
Album review alt-rock/Chanson francophone/Americana 2024
David Bujold – Le sol ou le ciel
By Michel Labrecque
Concert review Classical/classique
Jordi Savall | Tears flow, fire consumes, souls are fed
By Martial Jean-Baptiste
Concert review expérimental / contemporain
FLUX | A brief and polite conversation between Wadada and Sylvie Courvoisier
By Alain Brunet
Concert review expérimental / contemporain
FLUX | Nakatani Gong Orchestra: in the “had to be there” category
By Laurent Bellemare
Concert review Modern music/expérimental / contemporain
QMP 2024 | Combining Intensity and Intimacy
By Alexandre Villemaire
Concert review classique/Classical
Schulich | Excellent MGSO Performance Given The Conditions
By Alexis Desrosiers-Michaud
Concert review Classical/classique/Jazz
L’OFF jazz | Formanek + Raegele encounter in MTL
By Vitta Morales
Concert review Classical/classique/Jazz
L’OFF jazz | To Be Familiar With Drome Trio
By Vitta Morales
Concert review expérimental / contemporain/Classical/classique
QMP | The Art of Making Music in What Remains When the Skin Separates from the Body
By Alexandre Villemaire
Album review Classical/classique 2024
Barbara Hannigan / Royal Academy of Music and Juilliard School Ensemble – Stravinsky Chamber Works
By Frédéric Cardin
Album review Brazilian/Classical/classique/Musiques du Monde 2024