After dedicating his previous albums to the music of Johann Sebastian Bach, the Icelandic pianist Víkingur Ólafsson returns with a selection of works by another great Baroque composer, Jean-Philippe Rameau (1683-1764). Debussy-Rameau is an album in which short pieces of all genres follow one another in rapid succession. Rameau’s works range from the suite (Rigaudons, Gigues and Menuets), to imitative pieces (Le rappel des oiseaux) and works of character (Les tendres plaintes), to more virtuosic moments (Les tourbillons). These are interspersed with works by Claude Debussy (1862-1918), notably from Préludes, Estampes and Children’s Corner. Ólafsson’s playing is imbued with a clarity that this repertoire cannot do without, giving it a unique sense of simplicity. The album humorously concludes with an excerpt from Debussy’s Images, Livre 1, L. 110, known as L’Hommage à Rameau, closing the gap of almost two centuries between the two composers.
Latest 360 Content
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique
Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season
By Frédéric Cardin
Album review art rock/Pop/Rock/électro-indie/Electronic 2025
Stereolab – Instant Holograms On Metal Film
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025