Country : Québec Label : Indépendant Genres and styles : Folk / Singer-Songwriter Year : 2024

Ambroise – La première caresse goûte toujours la neige (The first caress always tastes like snow)

· by Frédéric Cardin

Ambroise, aka Eugénie Jobin, is a Montreal musician whose La première caresse goûte toujours la neige (The First Caress Always Tastes Like Snow) is their 5th album of highly personal song making, at the crossroads of indie songwriting, folk, jazz, contemporary art music and avant-garde. 

5th, but perhaps the first of a new creative phase. Indeed, La première caresse goûte toujours la neige differs from previous albums (full discography is available on Bandcamp) in that its instrumental atmosphere is more gentle than ever. Ambroise wasn’t noisy, stylistically speaking, but the presence of guitars, very indie Montreal, was nevertheless regularly felt, quietly but assertively piercing Eugénie’s compositional veil. 

Not so here. As well as Eugénie’s voice, always beautiful and caressing, there’s a piano (played by Eugénie themselve) and sometimes an accordion (Frédérique Roy), always in ppp mode (very soft). And that’s all there is to it. 

Another transformation compared to the other albums : the harmonies appear pacified, less chromatic/contemporary. As a result, La première caresse goûte toujours la neige is less demanding than its older brothers, without being for a moment of lesser quality. On the contrary, we sense that the artist has firmly established a coherent, focused approach. It has to be said that this album is also the result of special circumstances : after suffering a concussion, Eugénie became ultra-sensitive to sound and light. As a result, they needed to be accompanied in a minimal and extremely calm way! 

In doing so, they moved away from experimentalism for the first time, towards an almost neoclassical/ambient approach.

The main thing I remember is that it works really well! La première caresse goûte toujours la neige has become an album (an EP, in fact) of magnificent, soothing contemplative songs, based on a poetry of introspection written by herself and Marie Uguay, a short-lived and genius Québécois poet.

Let Ambroise invite you to share a moment of slowly unfolding eternity, enveloped in an almost spiritual gentleness, like a gaze lost before the silent immensity of a natural panorama untouched by humans except through their wandering minds.

Latest 360 Content

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers