The sound universe of Liz Harris, alias Grouper, is instantly recognizable. Slow, languorous melodies and misty, cushiony atmospheres, evanescent voices rising from the ruins of musical tracks swallowed up by reverb effects. Her vocal and instrumental tracks are so doctored, it’s as if she passed them dozens of times through a photocopier to erase their outlines. Combining two LPs that had only briefly been available on one CD, A I A Dream Loss/Alien Observer is one of the most outstanding examples of the Grouper way. The music of oblivion!
Latest 360 Content
Interview latino/Cumbia
Mundial Montréal | Empanadas Ilegales: Cumbia Is Everywhere, also in Vancouver !
By Alain Brunet
Interview Musiques du Monde
Mundial Montréal | Eli Levinson Presents The ENTIRE Program!
By Alain Brunet
Album review Jazz/indie 2024
Peggy Lee & Cole Schmidt – Forever Stories of: Moving Parties
By Frédéric Cardin
Album review Classical/classique 2024
Steven Osborne/London Philharmonic Orchestra, dir.: Edward Gardner – Tippett : Concerto pour piano; Symphonie no 2
By Frédéric Cardin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain/Modern music
The inner cinema of composer and sound artist Roxanne Turcotte
By Frédéric Cardin
Interview classique
Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps
By Alexandre Villemaire
Interview Jazz/Hip Hop
Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback
By Alain Brunet
Interview Classical/classique
Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini
By Alexandre Villemaire
Interview Africa/Hip Hop/Electronic/konpa/Soul/R&B
Coup de cœur francophone | Sarahmée Ascends The Throne
By Martial Jean-Baptiste
Concert review classique/Classical
OSM | Alpine Symphony: When Woods Become Sherpas
By Alexis Desrosiers-Michaud
Interview classique/Classical