Every shade of Gray

Interview by Jacob Langlois-Pelletier
Genres and styles : Jazz / Soul/R&B

Additional Information

At the age of 18, a young woman from Lavaltrie moved to Montreal to launch her career. She quickly made a name for herself on the Montreal scene, opening for artists such as Milk & Bone, France D’Amour, and the late Karim Ouellet.

Léonie Gray’s voice is both atypical and rich in emotions. Some of her intonations remind us a little bit of Billie Holiday and Amy Winehouse. In her music, the 29-year-old artist navigates between pop, R&B, and jazz. For her, music is a necessary therapy, “It’s like breathing, my body needs it,” she says.

Under contract with La Maison Mère, she tackles various subjects through her songs: mental health, feminism, and interpersonal relationships. Last April, the Quebecer delivered Who?, her first album comprising 13 songs, including the already popular “Monster and Echoes.”

Pan M 360 talked with her about her presence at the Festival International de Jazz de Montréal, her first album, and her creative process.

LÉONIE GRAY: I’ve been immersed in music since I was young. When people asked me what I wanted to be when I grew up, I always said I wanted to be a singer. I always had that goal in mind and made it happen. I started performing when I was seven years old. I did every musical audition I could get my hands on when I was in elementary and high school. My father is a musician, so that always helped me. My parents have always been supportive.

PAN M 360: What does creating music mean to you?

LÉONIE GRAY: It brings me a lot of good. It’s a form of therapy for me. Sometimes there are emotions in my life that I haven’t experienced that I can get through by writing songs. I love recording, composing, and getting feedback from people on my songs. Music is a part of me, it is an absolute necessity in my life. It’s like breathing, my body needs it. 

PAN M 360: The subjects you address are directly linked to current topics such as mental health. Has the way you approach them changed over time?

LÉONIE GRAY: I think so. First of all, I’ve gotten older and more mature. I’ve been able to apply that to my music. Over the last few years, I’ve realized what I really want to talk about in my songs. I need to have a subject in my songs and most of the time I talk about feminist issues. I talk about it because it is directly related to what I experience as a woman. When I was last at the FIJM, I dealt with lighter subjects than today.

PAN M 360: Other than current events, where does your inspiration come from?

LÉONIE GRAY: My inspiration comes from my own mental health as well as from my interpersonal relationships. I find that the relationship you have with others says a lot about who you are. This is an important aspect to communicate in my songs. I am also inspired by artists like Joy Crookes, from the UK. We deal with similar issues and I love her music. On the other hand, I also like Les Louanges. He has a different style than others and it’s exciting to see a local artist with so much potential to break through internationally. He has fun singing, you can tell.

PAN M 360: How have you evolved since your last participation in the FIJM?

LÉONIE GRAY: Between my last participation and today, there was the pandemic. Like everyone else, I’ve been in my head a lot. I have done a lot of personal work and I am more at peace with who I am and who I am becoming. I’m getting more and more comfortable making music that feels like me and that I want to hear. I don’t just make music to please anymore. I want to be proud of my accomplishments when I listen to myself. Also, I have made room for more vulnerability in my life, and this is reflected in my music. From now on, I give less importance to public opinion and I feel freer in my creation.

PAN M 360: What can we expect from your show this Thursday?

LÉONIE GRAY: People will be dancing and singing, that’s for sure. The show will be on a small stage. So there will also be more intimate moments. I want people to sit on the ground and enjoy those moments. I’ll be singing my entire album Who? as well as one unreleased song. I can’t wait to sing this new song in front of my family and friends. For several years I’ve done run-in shows and I’ve enjoyed seeing people’s reactions to my songs when they hear them for the first time. It gives me a sense of what the audience thinks and whether I like singing it on stage.

PAN M 360: Are there any artists you have seen or are looking forward to seeing at the FIJM?

LÉONIE GRAY: I really wanted to see Tash Sultana’s show. Unfortunately, I wasn’t available. Also, I saw Cécile McLorin Salvant and Kamasi Washington. I definitely want to go see Anomalie concert this Thursday. There are so many shows at FIJM and it seems like I want to go see them all!

PAN M 360: What is the influence of jazz in your songs?

LÉONIE GRAY: Naturally, there are certain chord progressions that attract me more than others. Very often it’s the soulful, jazz-like ones. I mix them into my pop musical structure. Also, using instruments like trumpet and violin brings me closer to jazz.  In fact, people often link my vocal tone to jazz. I am often told that I do “pop-jazz.”

PAN M 360: How do you feel since the release of your first album last April? Are you working on any new projects?

LÉONIE GRAY: I’ve been wanting to release this album for some time. When it came out, I was very relieved. The feedback we got from listeners and the media was incredible. It kind of alleviated some of my insecurities. I’m extremely happy with the result. We have a little tour planned until February. It feels good to get back into the pre-pandemic rhythm and do more shows. There are several other related projects that will come in connection with this album. For example, I have a music video coming out soon for one of my songs. Of course, I need to create and I have already started working on my next album. Many beautiful things are to come!

Latest 360 Content

The Rich and Winding Journey of Irem Bekter

The Rich and Winding Journey of Irem Bekter

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

POP FM | The Story of a True Hitmaker, Gabriel Fredette

POP FM | The Story of a True Hitmaker, Gabriel Fredette

OSM – Yulianna Avdeeva: A Life For The Piano

OSM – Yulianna Avdeeva: A Life For The Piano

Pro Musica : Armenia, Georgia and Russia expressed through a cello/piano duet

Pro Musica : Armenia, Georgia and Russia expressed through a cello/piano duet

Triple Concerto by Jacques Hétu: finally, a real premiere!

Triple Concerto by Jacques Hétu: finally, a real premiere!

Jordi Savall: From the Old World to the New, Songs and Dances of Oppression and Also of Hope

Jordi Savall: From the Old World to the New, Songs and Dances of Oppression and Also of Hope

Flore Laurentienne, Vol 3: The River and Nature, Objects of Contemplation… Orchestral

Flore Laurentienne, Vol 3: The River and Nature, Objects of Contemplation… Orchestral

Valérie Clio Makes a Luminous Comeback with Crépuscule

Valérie Clio Makes a Luminous Comeback with Crépuscule

Mikha.elles: Latin Vibrations in Four Voices

Mikha.elles: Latin Vibrations in Four Voices

Franky Freedom: and A Second for The Glory of Quebec’s Neo-Jazz Fusion

Franky Freedom: and A Second for The Glory of Quebec’s Neo-Jazz Fusion

Esteban la Rotta: Back to the Ancient Origins of the Lute

Esteban la Rotta: Back to the Ancient Origins of the Lute

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

MTL Tiga brings HotLife to the dance floor

MTL Tiga brings HotLife to the dance floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

OSM | All About the 2026-2027 Season, Words From The Artistic and Musical Direction

OSM | All About the 2026-2027 Season, Words From The Artistic and Musical Direction

Zarra Back on The Starting Line

Zarra Back on The Starting Line

Eric Dion, “L’origine du vent”… and His Gaspé Songs

Eric Dion, “L’origine du vent”… and His Gaspé Songs

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Gentiane MG: in sync with the world… thanks to the birds

Gentiane MG: in sync with the world… thanks to the birds

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Sunglaciers et leur nouvel album : Spiritual Content

Sunglaciers et leur nouvel album : Spiritual Content

Subscribe to our newsletter