Festival Présences autochtones 2025 | The Director : “Montreal is the most anti-MAGA city in America” (and we’re talking about the programming)

Interview by Frédéric Cardin
Genres and styles : Chanson francophone / Pop / Rock

Additional Information

The 2025 Présences autochtones festival will mark the 35th edition of this annual gathering, which began in 1990, just after, as you may recall, the Oka Crisis in Quebec. A difficult context to establish a brand new festival centered on Indigenous people! And yet, André Dudemaine, the tireless spokesperson for the cause and artistic director of the festival, has never ceased to be convinced of its relevance. He was right, of course. Today, the festival is more relevant, and especially popular, than ever. He introduces us to artists from Indigenous cultures around the world, many of whom are from right here, in music, film, and visual arts. This edition of the festival, he himself announces without hesitation, is set against the backdrop of the rise of a “neo-fascist movement” in North America, primarily driven by Donald Trump’s MAGA (Make America Great Again) vehicle in the United States. In this regard, Mr. Dudemaine recalls Montreal’s roots in resisting this kind of thinking. From the Great Peace of 1701, the first “international” treaty of this scale signed on Turtle Island (North America) between 39 Indigenous Nations and the first settlers, to the ovations given to Sitting Bull, a Lakota chief despised by Americans, and Jackie Robinson, a black baseball player adored in Montreal but mistreated in the South, Montreal seems to have a propensity for gathering and benevolent coexistence in its very DNA. This leads André Dudemaine to say without hesitation: Montreal is the most anti-MAGA city in America. I talked about all sorts of things like that, and of course about the musical programming for Présences autochtones 2025, with André Dudemaine.

The interview (in French) is divided into four parts, with the full version at the end.

Part 1: The Programming

Part 2: Montreal – Anti-MAGA City

Part 3: Tribute to Innu Song and Florent Vollant

Part 4: The Festival’s Beginnings 30 Years Ago, During the Oka Crisis

Full Version

Latest 360 Content

Esteban la Rotta: Back to the Ancient Origins of the Lute

Esteban la Rotta: Back to the Ancient Origins of the Lute

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

MTL Tiga brings HotLife to the dance floor

MTL Tiga brings HotLife to the dance floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Gentiane MG: in sync with the world… thanks to the birds

Gentiane MG: in sync with the world… thanks to the birds

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Sunglaciers et leur nouvel album : Spiritual Content

Sunglaciers et leur nouvel album : Spiritual Content

Cameron Carpenter at the Palais Montcalm | Le Fantôme de l’opéra: sweat, chills… and the organ!

Cameron Carpenter at the Palais Montcalm | Le Fantôme de l’opéra: sweat, chills… and the organ!

UdeM | The Big Band Welcomes Renowned Cuban-Canadian Pianist and Arranger Hilario Durán

UdeM | The Big Band Welcomes Renowned Cuban-Canadian Pianist and Arranger Hilario Durán

Kimi Djabaté: like Mozart, a life dedicated to music

Kimi Djabaté: like Mozart, a life dedicated to music

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”

Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”

Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”

Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”

Amiri, Pagé, Mativetsky: santour, harp, and tablas together

Amiri, Pagé, Mativetsky: santour, harp, and tablas together

SMCQ | Classics and Creation, A Conversation Across Generations

SMCQ | Classics and Creation, A Conversation Across Generations

SAT | Between Dreams: How Did You Sleep Last Night?

SAT | Between Dreams: How Did You Sleep Last Night?

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Remi Bolduc unveils his Groove Quintet

Remi Bolduc unveils his Groove Quintet

5ilience | Devinim, When Sounds Move Through The Reeds

5ilience | Devinim, When Sounds Move Through The Reeds

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Subscribe to our newsletter