Dance-Punk / No Wave / Post-Punk

TAVERNE TOUR | Chandra, La Sécurité, The Gories… taverne tour de force

by Félicité Couëlle-Brunet

Last night’s Taverne Tour offered an evening rich in contrasts, oscillating between post-punk, dance-punk and raw garage rock. With Chandra, La Sécurité and The Gories, each performance made its mark with singular energy and electrifying ambience.

Chandra opened the evening with a hypnotic set, driven by her unique blend of post-punk and no wave. At just 12 years of age, she was already recording tracks influenced by ESG and Talking Heads, and her appearance on the Taverne Tour proved that her universe is still as captivating as ever after so many years of service. On stage, she exuded an almost mystical aura, her voice oscillating between spoken vocals and melodic flights. Her repetitive synths and mechanical rhythms created a spellbinding trance, accentuated by her charismatic presence and bright pink hair, like an icon from another time transported to the present.

La Sécurité took over with an explosion of frenetic dance-punk. The band fuses the edgy rhythms of post-punk with danceable grooves and euphoric energy, reminiscent of bands like Le Tigre and Bodega. Right from the start, singer Ramona set the mood with an enthusiastic “Let’s go Kenny” to her drummer, setting off an ultra-dynamic set.

His exuberant attitude and chanted vocals lent a jubilant urgency to every track. The bassist, impassive but magnetic, brought a hypnotic depth to the compositions, while the guitarist juggled between sharp riffs and more chaotic passages. Kenny, on drums, seemed to be the driving force behind the band, striking with an intensity that left no respite. Their performance was a perfect blend of tension and raw pleasure, turning the room into a frenetic dance floor.

Finally, The Gories rounded off the evening with a set of wild, primitive garage rock. Formed in the late ’80s, the Detroit trio remains faithful to a raw, minimalist aesthetic inspired by ’60s blues and rock’n’roll. With no bass, just two raw guitars and uncompromisingly pounding drums, they have awakened the punk instinct in audiences. Their return to Montreal after a ten-year absence unleashed a tidal wave of energy, with furious moshpits from the very first notes. Their lo-fi sound and casual attitude gave the impression of attending a clandestine concert in a clammy basement, where sweat and chaos are the only watchwords.

From the post-punk trance of Chandra to the dance-punk euphoria of La Sécurité and the garage fury of The Gories, this Taverne Tour evening proved once again that the independent scene is more vibrant than ever.

Photo La Sécurité: Camille Gladu Drouin

Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers