expérimental / contemporain

Semaine du Neuf | When the collective becomes an entity

by Z Neto Vinheiras

No hay banda – Lori Freedman, Daniel Áñez, Noam Bierstone, Pablo Jiménez and Ana Maria Romano

“Nada nos quita lo bailado” is already by its title a pretty direct message that whatever the differences, whatever the oppositions, we’ll keep moving and we’ll keep dancing – together. It is a popular reference for that which can’t be taken from us – our memory, our history, our experiences. I suppose that’s exactly what Ana Maria Romano wanted to bring to this form of composition, a collective one, where every musician, with their own individual baggage and story, is part of the process and the product as a whole – the collective becomes an entity. As a listener, I could feel the interconnectedness and the horizontal process of this piece becoming what I was experiencing in Sala at that moment.

I am always specially interested in hybrid formats and constellations of differences and contrasts – although with an apparent separation both sonically speaking and on stage, between acoustic instruments and the electroacoustic apparatus, Ana Maria Romano, Lori Freedman, Daniel Áñez, Noam Bierstone and Pablo Jiménez’s No Hay Banda made us feel like there was one for the night. As relevant as it is now in such a completely distorted world we’re living in, we could hear the speakers shouting “No borders! No nation! Stop the Deportation!” and a Free Palestine, echoing through the room: field-recordings made by Romano at the International Women’s day march that happened the last 8th of march in downtown Montréal. Once more insisting on the intersection of our motives and existences. Known for her strong policies on gender activism and intersectional feminism, Romano treated the collaborative creative subject the same way – non-hierarchically, permeable, listening, sharing, playing and doing together.

The piece itself evoked sometimes feelings of tension, sometimes strange stillness or ambiguous contemplation. Sometimes too, an electronic trance. A well sustained place for improvisation and collaboration – certainly leaving the room very inspired, thank you!

Latest 360 Content

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Jardin botanique, bridge in the sky

Suoni 2026 | Jardin botanique, bridge in the sky

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Atsuko Chiba – Atsuko Chiba

Atsuko Chiba – Atsuko Chiba

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Violet Grohl – Be Sweet To Me

Violet Grohl – Be Sweet To Me

Kurt Vile – Philadelphia’s been good to me

Kurt Vile – Philadelphia’s been good to me

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

Cola – Cost Of Living Adjustment

Cola – Cost Of Living Adjustment

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Zélie, jeune merveille à découvrir !

Francos 2026 I Zélie, jeune merveille à découvrir !

Suoni 2026 | Kiva Stimac explains her choices

Suoni 2026 | Kiva Stimac explains her choices

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Francos 2026 | Malaka, blending soul, folk, and Caribbean influences

Francos 2026 | Malaka, blending soul, folk, and Caribbean influences

Sublime – Until The Sun Explodes

Sublime – Until The Sun Explodes

Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer

Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer

Classica 2026 – Too hot and humid for Schubert, and the instruments

Classica 2026 – Too hot and humid for Schubert, and the instruments

Classica 2026 | 1001 Guitar Stories with Tommy Dupuis

Classica 2026 | 1001 Guitar Stories with Tommy Dupuis

Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone

Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone

The Plastic Waste Band – Trash Island

The Plastic Waste Band – Trash Island

FMCM 2026 | John-Henry Crawford, a passionate young artist

FMCM 2026 | John-Henry Crawford, a passionate young artist

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers