Electro-Pop / Indigenous peoples / Indigenous Soul Music

Présence Autochtone I Anyma Ora Captivates Place Des Festivals

by Michel Labrecque

There’s a lot of buzz right now about Anyma Ora, whose real name is Danyka Sioui. The Wendat musician from Wendake, a suburb of Quebec City, won ROSEQ, Stingray, and LOJIQ awards in 2025. She has been touring extensively in Quebec in recent months and will continue to do so this fall.

“It’s definitely a great honor to be performing on the main stage at the Présence Autochtone festival,” she tells me in an interview. “With this kind of event, in a big city, you can also sense an openness from non-Indigenous people toward our culture, and that’s amazing,” adds Anyma-Danyka.

Yet her discography is tiny: an EP, Humans, released in 2021, and a single from this year, Fish. Her music leans toward electro-pop, with lyrics in English. But it’s when you see her on stage—where she blends these tracks with traditional Wendat songs, dance…and her live voice, which takes on all sorts of inflections—that you realize Anyma Ora has incredible potential.

“For me, being Indigenous doesn’t mean you have to make traditional music,” says this daughter of musicians, who grew up listening to pop and attended elementary and high school in English. Her father, Gaétan Sioui, produced and composed music that sought to fuse tradition and modernity in the early 2000s.

“He passed on his passion for music to me; when I was 4 or 5 years old, he used to make me listen to Pink Floyd at full volume,” Danyka says with a hint of sadness, as her father passed away in 2014 at the age of 49.

On stage at Place des Festivals, however, there are many nods to Indigenous culture. And it’s when she sings a song in Wendat—that nearly extinct language Anyma is currently learning—against a subtle backdrop of electronic keyboard, that her soul and her voice pierce us most deeply.

It’s important to understand that the young artist is still defining her artistic path. Although she sings in English, she addressed the crowd exclusively in French, which she speaks like a girl from Quebec City.

“I’ve started writing a song in French, but it’s totally different from what I do in English,” she told me.

Anyka Ora is also considering a record project in the Wendat language. “But I want to take as much time as it takes, deepen my knowledge of the language, and visit the communities before I do it.”

In the meantime, a second EP will be released soon, from which Anyma sang a few tracks on Wednesday night. Polished, meditative electro-pop—a logical follow-up to Humans, but a touch more sophisticated.

By a twist of fate, I was accompanied by a young British man, a student at an American university, who was visiting Montreal for the first time.

“Wow, she’s really fantastic,” he kept telling me over and over, convinced that she was a local music star. That goes some way toward explaining the potential I’ve been talking about. To be continued…

Latest 360 Content

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Camilla Sparksss Brings the Noise

FME 2026 I Camilla Sparksss Brings the Noise

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

Tönky Hönk – The ËP

Tönky Hönk – The ËP

The Holland Court Jazz Trio – Inverted Tango

The Holland Court Jazz Trio – Inverted Tango

Eldritch Priest – Too, So Like Nothing

Eldritch Priest – Too, So Like Nothing

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers