PAN M 360 At FIJM I Kurt Vile Goes Post Hardcore?

by Stephan Boissonneault

Kurt Viles’ notoriety isn’t exactly what it used to be 10 years ago when he released Wakin On A Pretty Daze, almost the pinnacle of slacker psychedelic rock of the 2010s. Since then he’s released several projects, including a duo ship album with Courtney Barnett, Lotta Sea Lice, which is a fine album but doesn’t have too much staying power.

In fact, many of his albums since 2015’s b’lieve I’m going down… don’t have much-staying power. The riffs are very KV and though catchy, the man doesn’t know how to end a song after 5 minutes. His lyrics are also something left to be desired always riffing on the classic words “man, down and tiiiimme,” like a stoned-out Tom Petty. So I wasn’t expecting to be blown away by Kurt during his 75 % sold-out FIJM performance, and though I wasn’t, he did surprise me. There were points in the set where he straight-up screamed the lyrics bringing a more punk rock/post-hardcore vibe to songs like “Pretty Pimpin,” and some of the newer ones from the album Back To Moon Beach and (watch my moves).

It completely took me off guard, but I wanted more. Kurt is a wizard on the guitar, there’s no question of that (which is why some of his songs hit the 9-minute mark and he has like 12 guitars), but his vocals have always kind of taken a back seat for me. But when he screamed, I listened. Suffice today, I think I’m more of a Kurt Vile live fan than his recent albums.

I have to wonder, does Kurt Vile know exactly what he’s doing? Is he getting bored using the same kind of songwriting style for almost 20 years with the same old “recycled riffs” that “ain’t going anywhere soon?” His words, not mine. Does he need to evolve or could he just keep doing him for another 20 years? As long as he’s got a band that is down with him soloing for six minutes there’s no stopping him.

Latest 360 Content

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance

Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance

Steve Lacy – Oh yeah?

Steve Lacy – Oh yeah?

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Yiddish Glory – The Silenced Songs of World War II

Yiddish Glory – The Silenced Songs of World War II

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Kim Petras – Detour

Kim Petras – Detour

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

Real Farmer – Two Wrongs Don’t Make A Right

Real Farmer – Two Wrongs Don’t Make A Right

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers