Hardcore / Power Electronics

Palomosa | Nettspend’s Paranoid Youth

by Loic Minty

“Early Life Crisis” flashed on the screen. A manic mixture of disorder and awe gripped the crowd. Already, dozens of people were practically running out of the show. The die hard cult following, being guided by a “pit crew,” had already formed a circle pit. At this point, barely a minute into the set, it was Nettspend’s night.

He ran out onto an elevated platform fueled with rage and euphoria as the crowd lost their minds. The pit closed, Nettspend yelled into the microphone, the great wait was over.

“I just threw up.”

No one heard, all hell had broken loose over the distorted Cloud rap. After a moment he recovered and his erratic stage presence grew larger than life as the night went on. His movements were unpredictable as if he was in daze and life was flashing in front of his eyes. One moment he was calmly bending the air with his hand, the next he was running across the stage yelling. The physical performance preceded all musicality and no one cared, it wasn’t about following the song anymore but rather about nourishing an aura. 

At just 18, his personality is enough to command the crowd’s attention. As a fashion forward internet celebrity, Nettspend brought together an interesting crowd. Some had come for the same reasons they would go to a Travis Scott concert, the cathartic expression of violence, while others in the back seemed to appreciate the larger than life persona which he has created for himself, similar to Yung Lean’s magnetic charisma.The songs went by extremely quickly, like a heavy storm cloud that leaves the skies blue afterwards. While his music had harsh tones similar to Carti’s Red album, there was still a sense of euphoria in the almost humorous excess of sound. When the crowd dispersed, everyone was smiling. It was an energizing set.

Publicité panam

Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers