For my first time covering a MUTEK event, I have to admit that I came away almost surprised at how much I enjoyed the evening. Let me explain: I don’t usually listen to electronic music, and I have even less opportunity to cover this kind of music. After the first few minutes, during which I thought the music was a little too loud and that my eardrums wouldn’t last the whole show, I gradually changed my mind as the evening progressed.
Piezo, real name Lucca Mucci, is a DJ, producer and sound artist, originally from Milan but trained in Bristol, England. He has set up his own label, Ansia, through which he also supports the work of like-minded artists. His debut album, Perdu, was released by Hundebiss Records. Last night, Piezo managed to get the crowd going, even if they didn’t show it at first, still a little embarrassed. He spent his time turning knobs on one, then two, then three consoles. The last one looked like a keyboard, with a laptop in the middle of it all, under a backdrop of light jets. I was also lucky to be there on a rainless day, having read my colleagues’ reports on the previous rainy days.
I’d describe Piezo’s style as a mix of techno, electro, garage, house at times, with synthetic sounds sprinkled throughout. You get the impression of having one main sound or rhythm, to which Piezo adds one layer at a time, and texture, as if we were dressing it up as we go along. And at certain moments, we would reach a paroxysm, during which the DJ would let loose completely, before coming back down quietly, and removing the layers one after the other. This paroxysm is often dramatic, and that’s the beauty of the exercise. Despite the absence of words, it still feels like we’re being told a story musically. And that’s when I stopped taking notes and started dancing, feeling the vibrations that Piezo was trying to convey.
With most of the audience dressed in black, all generations were represented. From the young, slightly drunk university student in the middle of initiation week, to the preppy 60-something with the colorful bag, the blue-haired girl or the young man with a shirt with Christ on it, everyone seemed to get their money’s worth.
The artist in me was trying to figure out which button was responsible for which sound, but from where I was, it wasn’t easy to see. The other interesting thing about this style of music is that you don’t always know when one song ends and the next begins. Maybe that’s the fun of it, because it changes all the codes of “music” by giving you carte blanche to do whatever the DJ wants.
It all felt like we were in a futuristic universe, with a mix of the artist’s signature fast percussive rhythms and unexpected melodic twists. All in all, it was a pretty good initiation into this new world for me. I’m almost looking forward to Sunday, when I’ll be covering Mutek’s Piknik Electronik special. More on that later.
Photo Credit: Vivien Gaumand
