Coup de coeur francophone | Le Roy, la Rose et le Lou[p], When Rising Forces Unite

by Jacob Langlois-Pelletier

The day after the Gala de l’ADISQ 2023, what could be better than to see on stage the trio formed by the recipient of the Félix for “Revelation of the Year” in 2022, Ariane Roy, and two former nominees in this category in 2019 and 2021, Lou-Adriane Cassidy and Thierry Larose.

After reuniting on stage for a memorable concert at the Francos 2022, the three singer-songwriters announced a short nine-show tour last June. In front of a packed Club Soda on Monday night, Le Roy, La Rose & Le Lou[p] put in an excellent performance, worthy of their talent.

As the curtain rises, the three artists introduce themselves to the audience, each seated on a chair, guitar in hand. In this acoustic opener, they perform their band’s theme song, followed by a solo track from each member. It’s immediately clear that this is no simple show. The various songs are re-imagined as a trio, giving life to a superb version of Cantalou, adorned with Cassidy and Roy’s harmonies.

From the outset, a special connection is established between them and the audience. Almost silent at times, the crowd admires the talent unfolding before them. However, this short guitar-vocal moment was far from being a harbinger of the rest of the show…

At the end of the more intimate segment, Thierry, Lou-Adriane and Ariane get up and their band takes to the stage. The rhythm becomes frantic, and the drums and guitars go wild. Their voices blend perfectly. The three protagonists’ proposal is rock, it’s hair-raising and it gets Club Soda moving.

The three members jump, dance and smile at each other; their fun is contagious. They exchange the lead role as we browse through their respective discographies. The result is coherent, and we salute all the work that went into putting together such an evening.

Ce qui monte doit redescendre (What goes up must come down), Le Roy, La Rose & Le Lou[p] offered the audience a moment of gentleness and calm at the end of the show. At the piano and accompanied by Ariane Roy’s voice, Lou-Adriane Cassidy sang Ça va ça va. Her gentleness charmed those present and was unequivocally one of the highlights of the show.

After the song Les amants de Pompéi, carried along by the crowd’s singing, Thierry Larose cried out “Vive la musique québécoise! twice. If the art of these three promising artists doesn’t convince you that good music can be made here, you might as well call yourself a lost cause…

Photo credit: Jacob Langlois-Pelletier

Latest 360 Content

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Camilla Sparksss Brings the Noise

FME 2026 I Camilla Sparksss Brings the Noise

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

FME 2026: Philippe Larocque’s Top Five Acts To See This Year

Tönky Hönk – The ËP

Tönky Hönk – The ËP

The Holland Court Jazz Trio – Inverted Tango

The Holland Court Jazz Trio – Inverted Tango

Eldritch Priest – Too, So Like Nothing

Eldritch Priest – Too, So Like Nothing

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers