Minimalist
Album review Classical/classique/Piano 2024
Opus – Ryuichi Sakamoto (Top Albums 2024)
By Varun Swarup
Concert review Classical/classique
FLUX | Architek Percussion: Great music, cursed technology!
By Frédéric Cardin
Album review Classical/classique/Jazz 2024
Denman Maroney Quintet – The Air-Conditioned Nightmare
By Frédéric Cardin
Interview Classical/classique
Suoni per il popolo | A chat with a contemporary music legend: Howard Skempton
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
Album review expérimental / contemporain/classique/Classical 2023
PAN M 360 / TOP 100 : Kronos Quartet/Ghost Train Orchestra – The Music of Moondog
By Frédéric Cardin
Album review Classical/classique 2023
Quatuor Molinari – Philip Glass : Complete String Quartets, Nos. 5-7, Volume 2
By Elena Mandolini
Album review Electronic/classique/Classical 2023
Roger Eno – The Skies, They Shift Like Chords
By Frédéric Cardin
Interview Classical/classique
Michael Riesman and the Philip Glass Ensemble : maximum pleasure
By Frédéric Cardin
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2022
Kaitlyn Aurelia Smith – Let’s Turn It Into Sound
By Alain Brunet
Album review Electronic/Classical/classique 2022
Richard Reed Parry / Susie Ibarra – Heart and Breath: Rhythm and Tone Fields (OFF AIR)
By Alain Brunet
Album review Classical/classique 2022
Yarilo Contemporary Music Society – Nikolaï Korndorff: The Smile of Maud Lewis
By Frédéric Cardin
Album review Folk/Americana/Classical/classique/Singer-Songwriter 2022
The Weather Station – How Is It That I Should Look at the Stars
By Stephan Boissonneault