Contemporary Creative Music
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Concert review Classical/classique
Semaine du Neuf | The Power of the Organ and the Wind
By Elena Mandolini
Concert review Classical/classique
Semaine du Neuf | Collectif9 : musical hero for everyone
By Frédéric Cardin
Concert review Classical/classique
Semaine du Neuf | Afghanistan, looking back at us
By Frédéric Cardin
Interview Classical/classique
Semaine du Neuf | There Is No Music Without the Wind. L’être contre le vent by Matthias Krüger
By Elena Mandolini
Interview Classical/classique
Semaine du Neuf | Psychedelic Afghanistan by Sam Shalabi and Shaista Latif
By Frédéric Cardin
Interview Classical/classique
Semaine du Neuf | Sixtrum: the magic of… aquatic percussion!
By Frédéric Cardin
Concert review Classical/classique
Semaine du Neuf | Ice, Creation, and Immersion
By Elena Mandolini
Album review Classical/classique 2024
Tristan Murail – Le partage des eaux / Terre d’ombre
By Frédéric Cardin
Interview Classical/classique
Semaine du Neuf | Haptic and Interdisciplinary Experiments by Jimmie Leblanc and Fareena Chanda
By Elena Mandolini
Album review Classical/classique 2024
Katja Zakotnik / Naila Alvarenga Lahmann – From Home With Love
By Frédéric Cardin
Concert review Classical/classique
The tranquil and (too) discreet music of Missy Mazzoli
By Frédéric Cardin
Concert review Classical/classique
“In the Half-Light” – Barbara Hannigan with Orchestre symphonique de Montréal
By Varun Swarup
Album review Electronic/expérimental / contemporain/Classical/classique/indie 2024
India Gailey – Problematica
By Frédéric Cardin
Concert review expérimental / contemporain/classique/Classical
Bozzini Quartet : microtones, great music
By Frédéric Cardin
Concert review Classical/classique/expérimental / contemporain
SMCQ: Prana, breathing, “comprovisation”
By Alain Brunet
