Contemporary
Interviews expérimental / contemporain/Classical/classique
Nicole Lizée : Folk Noir and other Sci-Fi stories
By Frédéric Cardin
Album review Classical/classique 2023
Vincent Boilard et Quatuor Molinari – Lumières nordiques
By Elena Mandolini
Interviews Classical/classique
Closing of Semaine du Neuf : Paramirabo plays Paramirabo and more
By Alain Brunet
Interviews classique/Classical/période moderne
Quatuor Molinari: ACOUSTIC EXPLORATION FROM WEST TO EAST
By Alain Brunet
Album review expérimental / contemporain/Classical/classique 2022
Anna Prohaska/Isabelle Faust – Kurtag : Kafka Fragmente
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2022
Joseph Petric – SEEN
By Frédéric Cardin
Album review Electronic/Classical/classique 2022
Richard Reed Parry / Susie Ibarra – Heart and Breath: Rhythm and Tone Fields (OFF AIR)
By Alain Brunet
Album review classique/Classical 2022
Patricia Kopatchinskaja – Le monde selon George Antheil
By Frédéric Cardin
Album review Classical/classique 2022
The Indianapolis Quartet – Robert Paterson : String Quartets 1 – 3
By Frédéric Cardin
Album review Rock/Classical/classique/Electronic 2022
Ben Shemie/Quatuor Molinari – Desiderata
By Frédéric Cardin
Album review Classical/classique 2022
Yarilo Contemporary Music Society – Nikolaï Korndorff: The Smile of Maud Lewis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2022
An Laurence – Almost Touching
By Frédéric Cardin
Album review Classical/classique/Electronic/Pop 2022
Florent Ghys – Mosaïques et Ritournelles
By Frédéric Cardin
Interviews classique/Classical/Jazz/Experimental / Contemporary/expérimental / contemporain