Avant-Pop
Album review Pop/Rock/hyperpop 2024
Basil No! – God’s Little Chariots (Top Albums of 2024)
By Vanessa Barron
Concert review expérimental / contemporain/Pop/Rock
I can’t stop thinking about the Xiu Xiu show in Montreal
By Vanessa Barron
Album review Pop/Experimental / Contemporary/expérimental / contemporain/Rock 2024
John Cale – POPtical Illusion
By Stephan Boissonneault
Concert review Pop/Electronic/expérimental / contemporain/Middle Eastern
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
By Salima Bouaraour
Concert review Pop/Électro/Electronic/Experimental / Contemporary/expérimental / contemporain
Erika Angell: Everybody, in trance!
By Frédéric Cardin
Album review Pop/Jazz/psychédélique 2023
PAN M 360 / TOP 100 : Tristan Leslay – Nobody’s Might Ship
By Varun Swarup
Album review Pop/Jazz/Brazilian/prog/psychédélique 2023
PAN M 360 / TOP 100 : Pedro Martins – Rádio Mistério
By Varun Swarup
Album review Pop/Jazz/Soul/R&B 2023
PAN M 360 / TOP 100 : Corinne Bailey Rae – Black Rainbows
By Varun Swarup
Album review Pop 2023
PAN M 360 / TOP 100 : Caroline Polachek – Desire, I Want To Turn Into You
By Théo Reinhardt
Album review Electronic/Pop/Hip Hop 2023
PAN M 360 / TOP 100 : John Cale – Mercy
By Stephan Boissonneault
Album review Pop/Rock/Jazz/Electronic/psychédélique 2023
PAN M 360 / TOP 100 : Ivan The Tolerable – Under Magnetic Mountain
By Louise Jaunet
Album review Pop/chanson keb franco/expérimental / contemporain 2023
PAN M 360 / TOP 100 : N NAO – L’eau et les rêves
By Louise Jaunet
What to watch Pop/expérimental / contemporain
Night Lunch – God Bless The One I Love
By Stephan Boissonneault
Interview expérimental / contemporain/Pop
MUTEK 2023 | Hatis Noit Brings Vocal Symbolism and Storyline
By Stephan Boissonneault
Album review Pop/classique/Electronic/Soul/R&B/Rock 2022