Ambient Instrumental
Album review Electronic/Pop/dream pop 2025
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By Frédéric Cardin
Interview Electronic/expérimental / contemporain
SAT’s Substrat Sound Series: IRLʼs soundscapes
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Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2025
Nathan Davis, Sylvia Milo – Earthworks
By Réjean Beaucage
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière
By Stephan Boissonneault
Album review Electronic/Jazz/expérimental / contemporain/Musique de création 2025
Phillip Golub – LOOP 7
By Réjean Beaucage
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2024
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By Réjean Beaucage
Album review Electronic/Folk/Americana/chanson keb franco 2024
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By Alain Brunet
Album review Electronic/Americana/chanson keb franco/Rock 2024
Tire le coyote – Dynastie
By Alain Brunet
Interview Electronic/art-folk/expérimental / contemporain
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By Alain Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Beverly Glenn-Copeland: Better Late Than Never
By Frédéric Cardin
Interview Electronic/Rock
POP Montréal | Is Nabihah Iqbal Where You May Not Expect Her ?
By Alain Brunet
Interview Electronic/Americana/chanson keb franco
Stéphane Lafleur, Avec pas d’casque, Cardinal: A Brand-new Cycle
By Alain Brunet
Album review Electronic/Jazz/Instrumental/Pop 2024
Tommy Crane – Dance Music for All Occasions
By Frédéric Cardin
Concert review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain
MUTEK 2024 | Tati au Miel… Burning Reverie
By Alain Brunet
Interview Electronic
MUTEK 2024 I Orchestroll’s psychedelic and hypnotic electro journey
By Stephan Boissonneault
Interview Electronic/Classical/classique
MUTEK 2024 | Film Scores for No One: a Patrick Watson Project
By Alain Brunet
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain