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« Electronic

Ambient Instrumental

Coup de cœur francophone | Nicolet Launches Orées, Suggestions From The Unconscious
Interview Electronic/art-folk/expérimental / contemporain

Coup de cœur francophone | Nicolet Launches Orées, Suggestions From The Unconscious

By Alain Brunet
Poirier – Quiet Revolution
Album review Electronic/latino 2024

Poirier – Quiet Revolution

By Michel Labrecque
Tire le coyote – Dynastie
Album review Electronic/Americana/chanson keb franco/Rock 2024

Tire le coyote – Dynastie

By Alain Brunet
Beverly Glenn-Copeland: Better Late Than Never
Interview Electronic/Experimental / Contemporary/expérimental / contemporain

Beverly Glenn-Copeland: Better Late Than Never

By Frédéric Cardin
POP Montréal | Is Nabihah Iqbal Where You May Not Expect Her ?
Interview Electronic/Rock

POP Montréal | Is Nabihah Iqbal Where You May Not Expect Her ?

By Alain Brunet
Jon Hopkins – Ritual
Album review Electronic/psychédélique 2024

Jon Hopkins – Ritual

By Claire Martin
Stéphane Lafleur, Avec pas d’casque, Cardinal: A Brand-new Cycle
Interview Electronic/Americana/chanson keb franco

Stéphane Lafleur, Avec pas d’casque, Cardinal: A Brand-new Cycle

By Alain Brunet
Tommy Crane – Dance Music for All Occasions
Album review Electronic/Jazz/Instrumental/Pop 2024

Tommy Crane – Dance Music for All Occasions

By Frédéric Cardin
MUTEK 2024 | Tati au Miel… Burning Reverie
Concert review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain

MUTEK 2024 | Tati au Miel… Burning Reverie

By Alain Brunet
MUTEK 2024 | Nocturne 1, First Immersion at Sato
Concert review Electronic

MUTEK 2024 | Nocturne 1, First Immersion at Sato

By Alain Brunet
MUTEK 2024 I Orchestroll’s psychedelic and hypnotic electro journey
Interview Electronic

MUTEK 2024 I Orchestroll’s psychedelic and hypnotic electro journey

By Stephan Boissonneault
MUTEK 2024 | Film Scores for No One: a Patrick Watson Project
Interview Electronic/Classical/classique

MUTEK 2024 | Film Scores for No One: a Patrick Watson Project

By Alain Brunet
Virée classique de l’OSM | A Transcendent End to The Evening
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain

Virée classique de l’OSM | A Transcendent End to The Evening

By Alexandre Villemaire
LA LOM – Los Angeles League of Musicians
Album review latino/Ambient/Electronic 2024

LA LOM – Los Angeles League of Musicians

By Vitta Morales
Richard Carr – August Light
Album review Electronic/Classical/classique 2024

Richard Carr – August Light

By Frédéric Cardin
Colin Fisher – Suns of the Heart
Album review Electronic/Classical/classique 2024

Colin Fisher – Suns of the Heart

By Frédéric Cardin
PAN M 360 at FIJM 2024 | André 3000 at the frontier of smoke and mirrors
Concert review Electronic/expérimental / contemporain/Neo-soul

PAN M 360 at FIJM 2024 | André 3000 at the frontier of smoke and mirrors

By Alain Brunet
Alexandre Tessier – Temps
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024

Alexandre Tessier – Temps

By Laurent Bellemare
Nino Carlos & Friends – Placenta
Album review Electronic/Jazz/psychédélique

Nino Carlos & Friends – Placenta

By Michel Labrecque
The Fleeting Light of Love and Grief – Terminal 9
What to watch expérimental / contemporain/Ambient/Electronic/Rock

The Fleeting Light of Love and Grief – Terminal 9

By Louise Jaunet
Sarah Rossy – Seemingly Insatiable Waves
Album review Electronic/Pop/Modern music 2024

Sarah Rossy – Seemingly Insatiable Waves

By Frédéric Cardin
ARC – ARC
Album review Electronic/expérimental / contemporain/Pop 2024

ARC – ARC

By Frédéric Cardin
David Binney – In The Arms Of Light
Album review Electronic 2024

David Binney – In The Arms Of Light

By Frédéric Cardin
Chauffeur et Parlak – “The Napoli Run”
What to watch Rock/Soul/R&B/Ambient/Electronic

Chauffeur et Parlak – “The Napoli Run”

By Stephan Boissonneault
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