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Latest 360 Content
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview Electronic
SAT/ Making Time |Aurora Halal’s One-hour Hardware Live Set Upcoming
By Julius Cesaratto
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
