Listings 360

Full listings 360
  • No results

Rasas et autres sentiments at Saint-Joachim Church

Fri 26 Jan 2024 • 07:00 pm Indian Classical
Église Saint-Joachim - Montréal À partir de 26$
· by Rédaction PAN M 360

An unforgettable musical experience where nature meets huma feelings!

Featuring the trans-traditional aesthetics of composer Sandeep Baghwati, this concert revolves around his piece Rasas (Ritual and Sophisticated Areas of Sound), in which the musicians follow a musical path guided by different human emotions.

In the Indian artistic tradition, the “Rasas” consist of a system for classifying the emotions that form the basic components of all artistic manifestations. In this work, Sandeep Bhagwati has developed 64 sections within a matrix, which can be arranged in various combinations. Before each performance, the performers choose a combination and, through their unique arrangement, offer a different interpretation of the piece each time. Recalling the thought of the great Quebec composer Gilles Tremblay, who said, “A bird never sings the same way twice”.

The program will be rounded out by three works by up-and-coming composers. French composer Daphné Hejebri explores the energy circulating in a colorful, kaleidoscopic space, while Franco-Ontarian Thierry Tidrow plays playfully with the emotions hidden behind each musical chord. New Brunswick’s Sophie Dupuis, meanwhile, takes us on a voyage into marine soundscapes.

A concert of discoveries and thrills!

Ensemble de la SMCQ
Cristian Gort, conductor
15 musicians: flutes, oboe, clarinets, bassoon, horn, trumpets, trombone, piano, harp, percussions, violins, viola, cello, double bass and electronic processing

Une expérience inoubliable où la nature se mêle aux sentiments humains!

Mettant en vedette l’esthétique trans-traditionnelle du compositeur Sandeep Baghwati, ce concert tourne autour de sa pièce Rasas (Ritual and Sophisticated Areas of Sound) dans laquelle les musiciens suivent un parcours musical guidé par les différentes émotions humaines.

Dans la tradition artistique indienne, les «Rasas» consistent en un système de classification des émotions qui forment les composantes de base de toutes les manifestations artistiques. Dans cette œuvre, Sandeep Bhagwati a élaboré 64 sections au sein d’une matrice, qui peuvent être agencées selon diverses combinaisons. Avant chaque performance, les interprètes choisissent une combinaison, et, par leur agencement unique, offrent à chaque fois une interprétation différente de la pièce. Rappelant ainsi la pensée du grand compositeur québécois Gilles Tremblay, qui mentionnait «Qu’un oiseau ne chante jamais deux fois de la même manière».

Le programme sera complété par trois œuvres issues de la relève. La compositrice française Daphné Hejebri explore l’énergie circulant dans un espace coloré et kaléidoscopique tandis que le franco-ontarien Thierry Tidrow joue de manière ludique avec les émotions cachées derrière chaque accord musical. Sophie Dupuis du Nouveau-Brunswick nous emporte quant à elle vers des paysages sonores marins.

Un concert de découvertes et de sensations fortes!

Ensemble de la SMCQ
Cristian Gort, chef
15 musiciens : flûtes, hautbois, clarinettes, basson, cors, trompettes, trombone, piano, harpe, percussions, violons, alto, violoncelle, contrebasse et traitement électronique


TO BUY YOUR TICKET, CLICK HERE!

This content compres from the Société de musique contemporaine du Québec and is adapted by PAN M 360.

Latest 360 Content

Présence Autochtone I Rei Speaks About His ‘Haka’ Rap

Présence Autochtone I Rei Speaks About His ‘Haka’ Rap

Domesicle Series: The Story of Sister Zo

Domesicle Series: The Story of Sister Zo

OSHEAGA 2026 I Mother Mother is Still Ghosting Our Dreams

OSHEAGA 2026 I Mother Mother is Still Ghosting Our Dreams

OSHEAGA 2026 I CMAT Vs. The World

OSHEAGA 2026 I CMAT Vs. The World

OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat

OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat

OSHEAGA 2026 I Zara Larsson’s Lush, Yet Dull Symphony

OSHEAGA 2026 I Zara Larsson’s Lush, Yet Dull Symphony

OSHEAGA 2026 I Clipse Drip with Swag on the Mountain

OSHEAGA 2026 I Clipse Drip with Swag on the Mountain

OSHEAGA 2026 I Not For Radio Reincarnates on the Forest

OSHEAGA 2026 I Not For Radio Reincarnates on the Forest

OSHEAGA 2026 I Chaos on the Loose with Viagra Boys

OSHEAGA 2026 I Chaos on the Loose with Viagra Boys

OSHEAGA 2026 I Turnstile’s Technicolor Fever

OSHEAGA 2026 I Turnstile’s Technicolor Fever

OSHEAGA 2026 I Hot Girls Listen to Museums

OSHEAGA 2026 I Hot Girls Listen to Museums

OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy

OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy

OSHEAGA 2026 I Sofia Isella is Visceral and Muddy

OSHEAGA 2026 I Sofia Isella is Visceral and Muddy

Visible Cloaks – Paradessence

Visible Cloaks – Paradessence

OSHEAGA 2026: JID Fades, but Doesn’t Falter

OSHEAGA 2026: JID Fades, but Doesn’t Falter

OSHEAGA 2026: Wet Leg is Under New Management

OSHEAGA 2026: Wet Leg is Under New Management

Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal

Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal

OSHEAGA 2026 I The xx is a Monochrome Green dream

OSHEAGA 2026 I The xx is a Monochrome Green dream

OSHEAGA 2026 I Wolf Alice Owns the Mountain

OSHEAGA 2026 I Wolf Alice Owns the Mountain

OSHEAGA 2026 I Geese Ate The Forest

OSHEAGA 2026 I Geese Ate The Forest

OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds

OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds

OSHEAGA 2026 I Leon Bridges Defies Gravity

OSHEAGA 2026 I Leon Bridges Defies Gravity

mary in the junkyard – Role Model Hermit

mary in the junkyard – Role Model Hermit

Présence autochtone 2026 | We talk about the Programming with the Director

Présence autochtone 2026 | We talk about the Programming with the Director

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers