Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
Interview Classical/classique

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

By Frédéric Cardin
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
Album review Classical/classique 2026

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

By Frédéric Cardin
TransQueb – Maelstrom
Album review Jazz 2026

TransQueb – Maelstrom

By Frédéric Cardin
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
Album review Classical/classique 2026

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

By Frédéric Cardin
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
Concert review Experimental/Hip Hop

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

By Jake Friesen
haha Laughing All the Way to the Bank
Interview Experimental/Hip Hop

haha Laughing All the Way to the Bank

By Jake Friesen & Lyle Hendriks
The Four Seasons of Quebec: Interview with François Dompierre
Interview classique/Classical

The Four Seasons of Quebec: Interview with François Dompierre

By Frédéric Cardin
Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul
Interview Classical/classique

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

By Frédéric Cardin
Brìghde Chaimbeul and Colin Stetson – All the light in the world
Album review Classical/classique 2026

Brìghde Chaimbeul and Colin Stetson – All the light in the world

By Frédéric Cardin
FME 2026 I An Ether Afternoon with Worry
Concert review Rock

FME 2026 I An Ether Afternoon with Worry

By Lyle Hendriks
FME 2026 I The Sadies and the Horse They Rode In On
Concert review Americana

FME 2026 I The Sadies and the Horse They Rode In On

By Charly Blais
FME 2026 I Moiré is Slowcore for Feeble Minds
Concert review Rock

FME 2026 I Moiré is Slowcore for Feeble Minds

By Stephan Boissonneault
FME 2026 I Double Truck, Double Violence
Concert review Rock

FME 2026 I Double Truck, Double Violence

By Saleh Balfaqih
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
Concert review Experimental/percussions/Rock

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

By Stephan Boissonneault
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
Concert review

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

By Stephan Boissonneault
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
Concert review

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

By Stephan Boissonneault
FME 2026 I Thee Soreheads Are Basement Brain Surgeons
Concert review Rock

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

By Lyle Hendriks
FME 2026 I Muhoza Brings Unadulterated Joy
Concert review Hip Hop/Soul/R&B

FME 2026 I Muhoza Brings Unadulterated Joy

By Saleh Balfaqih
FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET
Concert review Rock

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

By Lyle Hendriks
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
Concert review Rock/jangle pop/Psychedelia

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

By Stephan Boissonneault
FME 2026 I Iguana Death Cult Converts the Non-Believers
Concert review Rock

FME 2026 I Iguana Death Cult Converts the Non-Believers

By Stephan Boissonneault
FME 2026 I Max Baby is an Indie Sleeze Elf
Concert review Rock

FME 2026 I Max Baby is an Indie Sleeze Elf

By Charly Blais
FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning
Interview latino/Electronic

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

By Alain Brunet
FME 2026 I Birds of Prrrey’s Grungey Siren Call
Concert review Rock

FME 2026 I Birds of Prrrey’s Grungey Siren Call

By Saleh Balfaqih
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