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Joseph Arthur au Ritz PDB

Mon 21 Apr 2025 • 08:00 pm Folk Pop / Indie
Bar Le Ritz PDB - Montréal 28$
· by Rédaction PAN M 360

Joseph Arthur mêle le style lyrique littéraire et expressif d’un auteur-compositeur classique à une musique ancrée dans l’indie rock. Il est un auteur-compositeur-interprète respecté dont le travail a impressionné aussi bien les critiques que des artistes tels que Peter Gabriel et Michael Stipe. Le but initial d’Arthur était de devenir un bassiste talentueux, mais sa découverte de Bob Dylan et Kurt Cobain l’a poussé à se mettre à l’écriture de chansons. En 1996, il auto-produisit un EP qui parvint jusqu’à Peter Gabriel, qui le signa sur son label Real World. Big City Secrets (1997) et Come to Where I’m From (2000), ses albums respectivement audacieux et roots, impressionnèrent les critiques et les auditeurs avertis, tandis qu’avec Our Shadows Will Remain (2004), il approfondissait encore ses récits confessionnels. Avec Let’s Just Be (2007), Arthur lança son propre label, Lonely Astronaut, lui donnant un contrôle plus grand sur sa musique, tout en enregistrant des projets idiosyncratiques comme The Ballad of Boogie Christ (2013) et Lou (2014), une collection de reprises de Lou Reed.

Blending the literate and expressive lyrical style of a classic singer/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur’s original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997’s challenging Big City Secrets and 2000’s rootsy Come to Where I’m From impressed critics and discriminating listeners, and 2004’s Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007’s Let’s Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013’s The Ballad of Boogie Christ and 2014’s Lou (the latter a collection of Lou Reed covers).

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