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Half Moon Run à L’Olympia

Tue 05 Jul 2022 • 08:00 pm / Wed 06 Jul 2022 • 08:00 pm Folk / Indie Rock
L'Olympia - Montreal 65.50$
· by Rédaction PAN M 360

Il s’agit d’un groupe né pendant la révolution du Mile End: Molander et Dylan Phillips, tous deux originaires de la Colombie-Britannique, s’y sont associés à Devon Portielje, expatrié d’Ottawa, quelques années après qu’Arcade Fire ait placé la métropole sur la carte internationale du « rock indie », et juste avant que le trio s’associe à la même étiquette que Grimes, qui inaugurerait un nouveau chapitre et changeait la tradition pour le « do it yourself » de Montréal. C’est donc pendant ce moment de transition que Half Moon Run a construit un son qui lui est singulier, qui trépasse le passé et de l’avenir de la musique de Montréal, vers un royaume intemporel. Leur genre est celui qui inspire toutes sortes de couleurs, de descriptions contradictoires – musique considérée « folk » pour une ère sombre moderne, « art-rock » pour les amateurs d’harmonies pop, « indie » rustiques pour les têtes néoclassiques – mais peu importe comment vous le définissez, les réactions physiques et émotionnelles des auditeurs sont toujours les mêmes: les battements de cœur s’accélèrent, la chair de poule monte, les orbites se redressent. 

When you consider everything the Montreal band have accomplished and achieved and gained and lost in their lifespan, the past decade may as well have been a century. This was a group born between revolutions: B.C natives Molander and Dylan Phillips connected with Ottawa expat Devon Portielje in the Mile End a few years after Arcade Fire had put the city on the international indie-rock map, and just before the trio’s fellow jam-space tenant Grimes would usher in a new chapter of Montreal DIY lore. But in the midst of this transitional moment, Half Moon Run forged a singular sound that looked beyond Montreal’s past and future toward the realm of the timeless. Theirs is a sound that inspires all sorts of colorful, contradictory descriptors—folk music for the modern dark age, art rock for harmony-pop enthusiasts, rustic indie anthems for neoclassical heads—but no matter what you call it, the physical and emotional responses among listeners is always the same: heartbeats accelerate, goosebumps rise, eye sockets well up. 

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Ce contenu provient de L’Olympia et d’Half Moon Run et est adapté par PAN M 360.

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