Listings 360

Full listings 360
  • No results

Debby Friday au Centre Phi

Fri 24 Mar 2023 • 09:00 pm Electronic / Experimental / Contemporary / Punk
Centre Phi - Montréal 20$
· by Rédaction PAN M 360

Le premier album de DEBBY FRIDAY, GOOD LUCK, paraîtra au printemps via Sub Pop et Arts & Crafts (au Canada). S’étant récemment établie de Vancouver à Toronto, DEBBY a collaboré avec un producteur pour la toute première fois dans la conception d’un de ses projet, soit le compositeur nommé aux prix Juno et Polaris, Graham Walsh. Rehaussée par cette coopération, la valeur de production ajoute un certain pouvoir d’attraction à la flexibilité du genre: imaginez un monde où Sevdaliza rencontrerait Death Grips.

Peu d’artistes font les choses comme DEBBY. La pièce I GOT IT, lucide, à saveur acid house et à haut BPM (qu’elle livre accompagnée de Chris Vargas de Pelada et Uñas) la rend plus insolente et vaniteuse que jamais. L’artiste est toujours attirée par certaines tonalités et ambiances (les sombres ré et fa mineurs sont omniprésents sur cet album), suggérant du même coup la mélancolie et une certaine obscurité. Cependant, le premier extrait, SO HARD TO TELL, voit celle-ci se débarrasser de tous ses élans industriels pour concocter une chanson pop au falsetto totalement assumé. Ce morceau ensoleillé est un marqueur crucial dans l’expansion sonore de FRIDAY.

DEBBY FRIDAY’S debut long-player GOOD LUCK arrives on Sub Pop & Arts & Crafts (in Canada) this spring. DEBBY recently re-located from Vancouver to Toronto, and for her debut she worked with a producer for the first time: Juno- and Polaris Prize- nominated composer Graham Walsh. The jump up in production value adds a sort of heft and pull to the genre, flexibility on parade here: think of it a little like Sevdaliza meets Death Grips.

Few do it like DEBBY, though. Lucid, acid housey, high-BPM track I GOT IT—accompanied by Chris Vargas of Pelada and Uñas—has her unprecedentedly cocksure and vainglorious. She’s still drawn to certain keys and moods (the brooding D and F minor are all over this album) to suggest melancholia, darkness. However, her lead single SO HARD TO TELL sees FRIDAY shed all of her signature industrial tropes, to deliver a completely out of pocket, and totally assured, falsetto pop song. This sun-bright track is a crucial signifier in FRIDAY’S expansion.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient du Centre Phi et est adapté par PAN M 360.

Latest 360 Content

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Kleztory – Rendez-Vous

Kleztory – Rendez-Vous

Drucker – See Myself Out

Drucker – See Myself Out

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

The art of judging with Lucie Robert, president of the jury of the International Music Competition

The art of judging with Lucie Robert, president of the jury of the International Music Competition

TVOD – Rerun

TVOD – Rerun

Kneecap – FENIAN

Kneecap – FENIAN

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers