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Coup de cœur francophone : Valery Vaughn et Vincent Khouni au Quai des Brumes

Thu 12 Nov 2026 • 09:30 pm Emo / fuzz-rock / pop psychédélique
Quai des Brumes - Montréal 19,06$
· by Rédaction PAN M 360

Valery Vaughn

Valery Vaughn, c’est Vincent et Victor : une quantité déraisonnable de V, mais aussi deux amis qui ont décidé de faire le party à leur manière. Duo basse et batterie offrant un fuzz-rock aux échos emo, minimaliste dans la forme mais massif dans l’impact, VV se fait à la fois dansant, abrasif et mélancolique : parce que le moshpit c’est ben la meilleure place pour ressasser des sentiments. Sont-ils les rois de l’underground… de l’underground? Peut-être, mais une chose est sûre : l’amitié, c’est le band; le band, c’est l’amitié.

Valery Vaughn is Vincent and Victor: an absurd number of V’s, but also two friends who’ve decided to party their own way. A bass-and-drums duo delivering fuzz-rock with emo undertones—minimalist in form but massive in impact—VV is at once danceable, abrasive, and melancholic: because the mosh pit is definitely the best place to mull over your feelings. Are they the kings of the underground… of the underground? Maybe, but one thing is certain: friendship is the band; the band is friendship.

Vincent Khouni

Artiste visuel à temps perdu, Vincent Khouni aime jouer avec les images, les mots et leurs résonances, créant des chansons comme il fait des collages. Aussi leader du groupe rock garage montréalais Double Date with Death (DDWD), c’est en solo qu’il explore des textures plus intimes, allant de la psych-pop à l’électro et au post-rock. Suivant 8:12pm, un premier mini-album salué par Le Devoir comme « une dose de réconfort », il offrait l’hiver dernier Accident, un EP comme une micro-odyssée intérieure, où les émotions se fondent dans la matière sonore.

A visual artist in his spare time, Vincent Khouni enjoys playing with images, words, and their resonances, creating songs the same way he makes collages. Also the frontman of the Montreal garage rock band Double Date with Death (DDWD), he explores more intimate textures as a solo artist, ranging from psych-pop to electro and post-rock. Following 8:12pm, a debut mini-album hailed by Le Devoir as “a dose of comfort,” he released Accident last winter—an EP that feels like a micro-odyssey of the inner self, where emotions blend into the soundscape.

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Ce contenu provient de Coup de cœur francophone et est adapté par PAN M 360

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