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Coup de cœur francophone : Julie Aubé et BAIE au Café Campus

Wed 11 Nov 2026 • 08:00 pm acadie / Country / Disco
Petit Campus - Montréal 31,50$
· by Rédaction PAN M 360

Julie Aubé

Sur scène, Julie Aubé se déploie avec autant de force que de sensibilité. Connue comme membre des Hay Babies, la native de Memramcook au Nouveau-Brunswick s’affirme en solo pour affirmer sa relation avec son Acadie et sa gratitude en général, tout en traitant d’amour (of course). Folk d’abord, country et rock quand ça adonne, elle chante du ventre – et chante puissant – afin de transmettre sa forte inclinaison pour le flamboyant, la fête et le fun, tout en laissant une place de choix à la nostalgie. Pour une soirée à hauteur humaine.

On stage, Julie Aubé performs with equal parts power and sensitivity. Known as a member of the Hay Babies, the Memramcook, New Brunswick, native is making her mark as a solo artist to express her connection to her Acadian heritage and her gratitude in general—all while singing about love (of course). Folk first and foremost, with touches of country and rock when the mood strikes, she sings from the gut—and sings powerfully—to convey her strong penchant for flamboyance, celebration, and fun, all while making room for nostalgia. For an evening on a human scale.

BAIE

BAIE, c’est l’éclat du disco et le raffinement du soft rock de jadis via une lentille acadienne d’aujourd’hui, chamarré d’éléments pop, folk, funk et prog pour encore plus de lustre – solos flamboyants inclus. Et c’est sur scène que l’expérience se dévoile dans toute sa généreuse ampleur : des performances ici scintillantes, là touchantes, portées par des grooves et des harmonies de qualité premium, et toujours avec un goût marqué pour la mise en costume. La tête à ses raisons, deuxième album de la formation, est paru en juin dernier sous Duprince.

BAIE captures the glitz of disco and the sophistication of classic soft rock, viewed through a contemporary Acadian lens and embellished with elements of pop, folk, funk, and prog for even more sparkle—flamboyant solos included. And it’s on stage that the experience unfolds in all its generous splendor: performances that are at times dazzling, at others moving, driven by top-notch grooves and harmonies, and always with a distinct flair for the theatrical. La tête à ses raisons, the band’s second album, was released last June on Duprince.

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Ce contenu provient de Coup de cœur francophone et est adapté par PAN M 360

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