This is Mathieu Herzog’s first recording as a conductor. The former violist of Quatuor Ébène offers here an impeccable, even perfect version of Mozart’s last three symphonies. In this interpretation, not only does one feel that the conductor knows the works in detail, but also surprised that he can shake something modern out of them. This work of balance is worthy of a great chamber musician. We hope that this collaboration between Herzog and the Ensemble Appassionato will continue to generate other great musical moments to match of marvelous recording.
Latest 360 Content
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
Concert review expérimental / contemporain/Jazz/Hip Hop/Punk/Rock
Pop MTL 2026 I haha Laughing: Everything’s Louder in Texas
By Lyle Hendriks
Concert review Indie/Folk/Americana/Singer-Songwriter























