This is Mathieu Herzog’s first recording as a conductor. The former violist of Quatuor Ébène offers here an impeccable, even perfect version of Mozart’s last three symphonies. In this interpretation, not only does one feel that the conductor knows the works in detail, but also surprised that he can shake something modern out of them. This work of balance is worthy of a great chamber musician. We hope that this collaboration between Herzog and the Ensemble Appassionato will continue to generate other great musical moments to match of marvelous recording.
Latest 360 Content
Interview classique/Classical
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
By Alexandre Villemaire
Interview classique
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
By Frédéric Cardin
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine