An interpretation at the service of history
Baritone Gerald Finley in the title role and Principal Conductor Sir Antonio Pappano shine in the London Symphony Orchestra’s latest live recording of Felix Mendelssohn’s oratorio Elijah. From the opening, it’s clear that this is going to be exceptional, with Finley’s poignant entrance recitative and the overture that follows, right through to the entrance of the chorus, every word of which is delivered with clarity. At the same time, he excels in both the powerful segments and the half-chorus sections. Throughout the work, Finley adapts his voice and expression to suit the emotions of his character and the action he is narrating. Sometimes tragic, sometimes touching, sometimes disturbing, each number is sung with precision. The other soloists are also excellent, playing the various roles assigned to them well.
Where the conductor stands out is in his judicious choice of textures. Strongly influenced by Baroque oratorios and passions, Elijah is clearly a Romantic work, despite the use of older devices. Pappano knows when to play in which style, and does not fall into generality. For example, in the chorus Blessed are the men who fear him, he lifts the orchestra’s weight and keeps the lines flowing, without falling into lightness. On the other hand, the recitatives are reminiscent of romantic operas, and the orchestra responds with aplomb to the soloists. In addition to paying meticulous attention to Mendelssohn’s indications, the conductor does not hesitate to add to them, always in the service of the story. In the chorus Call him louder, he makes the words “Hear and answer” sing out loud, because it’s an order that’s being proclaimed!
In conclusion, this excellent recording will appeal to all occasions, whether for active listening or as a companion on the move.
